दृष्ट्वा देवगणाः सर्वे द्वारकां प्रति मंदिरे । गीतवाद्यादि निर्घोषैर्नृत्यमानाः प्रहर्षिताः
dṛṣṭvā devagaṇāḥ sarve dvārakāṃ prati maṃdire | gītavādyādi nirghoṣairnṛtyamānāḥ praharṣitāḥ
Thấy Dvārakā và tiến gần các đền thờ của nàng, toàn thể chư thiên—giữa tiếng vang rền của ca khúc và nhạc khí—đều múa nhảy trong hoan hỷ.
Narrator (descriptive narration)
Tirtha: Dvārakā-mandira-kṣetra (temple precincts)
Type: kshetra
Listener: Viprendra (implicit)
Scene: A jubilant divine throng nearing Dvārakā’s temple precincts; devas dance in rows while musicians play drums, cymbals, and lutes; banners flutter; temple towers rise ahead.
Sacred places naturally evoke devotion expressed through joyful worship—song, music, and dance offered as reverent celebration.
Dvārakā and her mandiras (temple precincts) are highlighted as the locus of divine celebration.
Implied devotional worship through gīta-vādya (sacred music) and nṛtya (devotional dance), though not framed as a formal injunction.