Skanda Purana — Kashi Khanda, Shloka 30
अस्मिंल्लोके सदा कालं स्मृतिरे षा प्रगीयते । तद्गीतमालया पूज्यौ देवौ हरिहरौ सदा
asmiṃlloke sadā kālaṃ smṛtire ṣā pragīyate | tadgītamālayā pūjyau devau hariharau sadā
Trong cõi đời này, mọi thời khắc, lời tưởng niệm ấy luôn được xướng ca: bằng vòng hoa của những khúc hát đó, hai vị thần—Hari và Hara—mãi mãi đáng được thờ phụng.
Skanda (deduced, Kāśīkhaṇḍa narrative frame)
Tirtha: Kāśī
Type: kshetra
Scene: A daily temple scene: devotees offering a ‘garland of song’—singers with cymbals and vīṇā—before Hari and Hara; the idea of a garland visualized as floral motifs interwoven with musical notes.
FAQs
Constant remembrance expressed as devotional singing becomes a valid and exalted mode of worship of both Hari and Hara.
The verse functions within Kāśī’s sacred narrative, though it does not name a distinct tīrtha.
Worship (pūjā) through a continuous series/garland of songs—i.e., sustained kīrtana and smṛti.