Shloka 29
तपः–मन्त्रजप–ध्यानविधिः
Protocol of Tapas, Mantra-Japa, and Śiva-Dhyāna
शब्दांश्च विविधान्कृत्वा निर्ययौ वाहिनीपतिः । सूकरस्य ससाराथ शब्दश्च प्रदिशो दश
śabdāṃśca vividhānkṛtvā niryayau vāhinīpatiḥ | sūkarasya sasārātha śabdaśca pradiśo daśa
Cất lên muôn tiếng hò hét vang dội, vị thống lĩnh quân đội tiến ra. Bấy giờ lợn rừng lao tới, và tiếng gầm của nó vang dội khắp mười phương.
Suta Goswami
Tattva Level: pati
Shiva Form: Rudra
Role: destructive
FAQs
The verse uses the imagery of thunderous sounds filling the ten directions to convey the irresistible, all-pervading power of Rudra’s manifestation—reminding the devotee that Shiva’s presence cannot be confined and that egoic resistance is ultimately overwhelmed.
Though the scene is martial, it points to Saguna Shiva—Shiva with form and action—whose divine līlā protects dharma; such narratives deepen bhakti that later ripens into steadiness in Linga-worship and contemplation of Shiva as Pati (the Lord).
A practical takeaway is japa of the Panchakshara (“Om Namaḥ Śivāya”) with focused listening (śravaṇa-bhāva) to inner sound, cultivating fearlessness and surrender to Shiva’s protective power.