शिवरूपदर्शनम्
Menā’s Vision of Śiva’s Divine Form
विश्वावसुमुखास्तत्र ह्यप्सरोगणसंयुताः । गायन्तोप्यग्रतस्तस्य परमं शाङ्करं यशः
viśvāvasumukhāstatra hyapsarogaṇasaṃyutāḥ | gāyantopyagratastasya paramaṃ śāṅkaraṃ yaśaḥ
Tại đó, đứng đầu là Viśvāvasu và cùng các đoàn Apsarā, họ cất tiếng ca trước Ngài về vinh quang tối thượng của Śaṅkara (Đức Śiva).
Suta Goswami
Tattva Level: pati
Shiva Form: Naṭarāja
Sthala Purana: Not a Jyotirliṅga narrative; it depicts gandharva-apsaras musical praise as part of divine celebration around Śiva.
Significance: Highlights saṅgīta-sevā (musical offering) as a bhakti-mode; devotees may offer kīrtana/nāma-saṅkīrtana to stabilize mind and invoke Śiva’s presence.
Type: stotra
The verse highlights bhakti expressed as stuti/kīrtana: even celestial beings proclaim Śiva’s “parama yaśas,” implying that remembrance and praise of Pati (Śiva) purifies the mind and turns it toward grace, a key Shaiva Siddhanta emphasis for liberation.
By praising “Śāṅkara,” the verse reflects Saguna devotion—adoring Śiva with attributes and glory. In Shiva Purana practice, such praise naturally supports Liṅga-worship, where devotees honor Śiva’s manifest presence and sing his greatness before the deity.
Kīrtana and stotra-pāṭha (devotional singing/recitation) are implied—regularly chanting Śiva’s names and hymns (including the Panchākṣarī “Om Namaḥ Śivāya”) as a focused practice of remembrance and devotion.