Śiva-Pūjākramaḥ — The Procedural Order of Shiva Worship
Pañcāvaraṇa & Upacāras
गत्वा कैलासशिखरम्प्राप्येशनिकटम्मुनिः । ददर्श मोक्षदम्मायानाशञ्चरणमीशयोः
gatvā kailāsaśikharamprāpyeśanikaṭammuniḥ | dadarśa mokṣadammāyānāśañcaraṇamīśayoḥ
Đến đỉnh Kailāsa và tiến gần Thượng Chủ, vị hiền triết được chiêm bái đôi chân của Thần Phu Thần Thê—đôi chân ban giải thoát và diệt trừ māyā (ảo vọng do ràng buộc).
Suta Goswami
Tattva Level: pati
Shiva Form: Umapati
Sthala Purana: Kailāsa darśana motif: the sage approaches Īśa and beholds the liberating feet of the Divine Couple, described as māyā-nāśa—an archetype of grace rather than a localized Jyotirliṅga origin.
Significance: Darśana of Śiva-Śakti’s feet is framed as mokṣa-prada and māyā-kṣaya—pilgrimage as inner approach from pāśa to pati through anugraha.
Shakti Form: Parvati
Role: liberating
Offering: pushpa
It presents the Lord’s feet (Śiva with Śakti) as the refuge where bondage (māyā/pāśa) is cut and liberation (mokṣa) is granted—an explicit Pati (Lord) saving the paśu (soul) from pāśa (bondage) theme.
By highlighting the ‘feet of the Divine Couple,’ it affirms saguna-upāsanā (devotion to the personal Lord with attributes); Linga-worship similarly culminates in surrender to Śiva as the living, liberating reality beyond māyā.
Pāda-sevā and śaraṇāgati (devotional surrender) through japa of the Pañcākṣarī “Om Namaḥ Śivāya,” with inner meditation on Śiva’s grace as the destroyer of māyā and giver of mokṣa.