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Shloka 4

Right Conduct, Offenses Against Brāhmaṇas, Truthfulness, and the Greatness of the Cow

Go-Māhātmya

गायत्र्याश्च जपैर्होमैर्व्रतैश्चांद्रायणदिभिः । स्मर नित्यं हरेः पादमुपोष्य हरिवासरम्

gāyatryāśca japairhomairvrataiścāṃdrāyaṇadibhiḥ | smara nityaṃ hareḥ pādamupoṣya harivāsaram

Với việc tụng niệm Gāyatrī, với japa, với lễ cúng lửa (homa) và các giới nguyện như Cāndrāyaṇa—hãy luôn tưởng niệm bàn chân thánh của Hari; và hãy trai giới vào ngày thiêng của Hari.

गायत्र्याःof Gāyatrī (mantra)
गायत्र्याः:
Sambandha (Genitive relation/षष्ठी)
TypeNoun
Rootगायत्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (and)
जपैःby recitations
जपैः:
Karana (Instrument/करण)
TypeNoun
Rootजप (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
होमैःby fire-offerings
होमैः:
Karana (Instrument/करण)
TypeNoun
Rootहोम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
व्रतैःby vows/observances
व्रतैः:
Karana (Instrument/करण)
TypeNoun
Rootव्रत (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-अव्यय (and)
आन्द्रायणादिभिःby Cāndrāyaṇa and other (penances)
आन्द्रायणादिभिः:
Karana (Instrument/करण)
TypeNoun
Rootआन्द्रायण (प्रातिपदिक) + आदि (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन; तत्पुरुषः (आन्द्रायणं च आदि च येषां तैः)
स्मरremember
स्मर:
Kriya (Action/क्रिया)
TypeVerb
Rootस्मृ (धातु)
Formलोट् (Imperative), मध्यमपुरुष (2nd person), एकवचन; परस्मैपद
नित्यम्always
नित्यम्:
Kriya-visheshana (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootनित्य (प्रातिपदिक)
Formअव्ययवत् क्रियाविशेषणम् (always/constantly)
हरेःof Hari (Viṣṇu)
हरेः:
Sambandha (Genitive relation/षष्ठी)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
पादम्foot
पादम्:
Karma (Object/कर्म)
TypeNoun
Rootपाद (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
उपोष्यhaving fasted
उपोष्य:
Purvakala-kriya (Prior action/पूर्वकालक्रिया)
TypeVerb
Rootउप+वस् (धातु)
Formल्यप्-अव्यय (gerund in -ya); पूर्वकालिक-क्रिया (having fasted)
हरिवासरम्Hari’s day (a Viṣṇu sacred day)
हरिवासरम्:
Karma (Object/कर्म)
TypeNoun
Rootहरि (प्रातिपदिक) + वासर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन; तत्पुरुषः (हरेः वासरः)

Unspecified in the provided excerpt (context needed from surrounding verses to confirm the dialogue pair).

Concept: Integrate Vedic practice (Gāyatrī-japa, homa) with Vaishnava bhakti (Hari-pāda-smaraṇa) and fasting on Hari’s day for purification and spiritual ascent.

Application: Keep a daily japa discipline, add periodic homa/offerings as feasible, and observe a weekly/fortnightly fast dedicated to Vishnu with focused remembrance.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A disciplined devotee sits before a small sacred fire, counting japa beads while the Gāyatrī is softly recited; offerings of ghee rise as fragrant smoke. In the background, a Vishnu shrine glows, and the devotee’s mind is visually suggested as resting at Hari’s feet, symbolized by lotus footprints.","primary_figures":["devotee (dvija)","Vishnu (as shrine icon or subtle vision)"],"setting":"āśrama courtyard with homa-kuṇḍa, japa-mālā, ladle, and a small Vishnu altar with lamps","lighting_mood":"temple lamp-lit","color_palette":["saffron","ghee-gold","indigo","lotus pink","ash white"],"tanjore_prompt":"Tanjore painting style: central homa scene with a dvija performing japa and offering ghee; Vishnu icon in a side shrine with gold leaf halo, ornate arch (prabhāmaṇḍala), rich reds/greens, gem-like detailing on vessels; lotus footprints of Hari rendered in gold as the focal devotional symbol.","pahari_prompt":"Pahari miniature style: intimate courtyard ritual—soft flames, delicate smoke curls, devotee with mālā; a small Vishnu shrine under a canopy; cool indigo shadows and warm saffron highlights; refined facial expressions conveying steady remembrance.","kerala_mural_prompt":"Kerala mural style: stylized homa fire and ritual implements; devotee in profile with bold outlines; Vishnu shrine with characteristic large eyes and symmetrical ornament; red-yellow-green palette, rhythmic decorative borders suggesting mantra cadence.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-centered devotional composition—Hari’s lotus feet motif at center, surrounded by floral borders and lamp motifs; a small ritual vignette of japa and homa below; deep blues and gold, intricate lotuses and creepers echoing continuous smaraṇa."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["homa fire crackle","temple bells","soft conch in distance","mālā bead clicks","low drone (tanpura)"]}

Sandhi Resolution Notes: जपैः+होमैः → जपैर्होमैः (विसर्गसन्धि: ः + ह् = र्ह्); व्रतैः+च → व्रतैश्च (ः + च = श्च); च+आन्द्रायणादिभिः → चांद्रायणादिभिः (अ + आ = आ; लेख्यरूपे चां-); पादम्+उपोष्य → पादमुपोष्य (म् + उ)

G
Gayatri
H
Hari (Vishnu)

FAQs

It places constant remembrance of Hari’s lotus-feet at the center, presenting ritual acts (japa, homa, vows) as supports for sustained devotion and mindful worship.

It recommends disciplined spiritual practice—regular mantra-recitation, sacrificial offerings, and vows—combined with self-restraint (fasting) and continual God-remembrance.

It treats Cāndrāyaṇa and similar austerities as recognized means of purification, but frames them alongside (and ultimately oriented toward) devotion to Hari.