Shloka 115
Invocations, Definition and Authority of Purāṇa, Pulastya–Bhīṣma Frame, and the Creation–Dissolution Schema
तमोद्रेकं च कल्पांते रूपं रौद्रं करोति च । राजेंद्राखिलभूतानि भक्षयत्यतिभीषणः
tamodrekaṃ ca kalpāṃte rūpaṃ raudraṃ karoti ca | rājeṃdrākhilabhūtāni bhakṣayatyatibhīṣaṇaḥ
Vào lúc tận cùng của kiếp (kalpa), khi bóng tối (tamas) dâng tràn, hỡi bậc quân vương, Ngài hiện thân phẫn nộ, dữ dằn và kinh khiếp, rồi nuốt trọn mọi loài hữu tình—thật đáng sợ vô cùng.
Unspecified narrator (context not provided in the input excerpt)
Concept: At kalpa’s end, the Lord assumes a terrifying raudra form and withdraws the manifested world by consuming all beings.
Application: Contemplate impermanence to loosen attachment; turn fear of endings into refuge in the timeless Lord through remembrance and disciplined living.
Primary Rasa: bhayanaka
Secondary Rasa: raudra
Type: celestial_realm
Visual Art Cues: {"scene_description":"The cosmos darkens as tamas swells like a storm-tide; the Lord manifests a colossal, wrathful form whose gaze is a furnace. Worlds and beings stream toward him like sparks into a cosmic fire, conveying both terror and inevitability.","primary_figures":["The Lord in raudra/pralaya form (Kāla-rūpa of Vishnu)"],"setting":"Apocalyptic sky with collapsing constellations and dissolving worlds over a churning void","lighting_mood":"storm-lit, ember-glow","color_palette":["obsidian black","smoke gray","molten orange","blood red","ashen violet"],"tanjore_prompt":"Tanjore painting style: a monumental Kāla-rūpa of the Lord with fierce eyes and flaming aura, gold leaf used as crackling fire patterns against a dark lacquered background, collapsing planetary discs and tiny beings drawn toward the mouth, ornate yet terrifying iconography, heavy jewelry contrasting with apocalyptic clouds.","pahari_prompt":"Pahari miniature style: dramatic pralaya scene with swirling ink-like clouds, the Lord’s fierce form rendered with refined linework, small delicate figures and worlds being drawn inward, cool-to-warm gradient from violet storm to orange fire, lyrical yet ominous composition.","kerala_mural_prompt":"Kerala mural style: fierce divine visage with bold outlines, stylized flames and storm bands, rhythmic patterning of devoured beings, strong reds and blacks with yellow highlights, temple-wall intensity and iconic symmetry.","pichwai_prompt":"Pichwai cloth painting style: an unconventional pralaya pichwai—deep indigo-black field, circular vortex of lotus petals turning into flames, central fierce divine form, intricate border of withering lotuses and fading stars, gold detailing to suggest cosmic heat."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder rumble","conch blast (sharp)","low drum (mridangam) strokes","wind roar"]}
Sandhi Resolution Notes: तमोद्रेकं → तमः-उद्रेकम्; कल्पांते → कल्पान्ते; राजेंद्राखिलभूतानि → राजेन्द्र अखिलभूतानि; भक्षयत्यतिभीषणः → भक्षयति अतिभीषणः.
FAQs
“Kalpānte” refers to the end of a kalpa (aeon), a cosmic turning-point associated with dissolution (pralaya), when manifested worlds and beings are withdrawn.
It signals a cosmic condition where tamas (inertia/darkness) predominates—an emblem of dissolution, obscuration of order, and the onset of a terrifying transformative phase.
The verse emphasizes impermanence: all embodied existence is subject to cosmic cycles, encouraging detachment, humility, and spiritual orientation beyond transient forms.