Padma Purana — Bhumi Khanda, Shloka 26
The Glory of the Vāsudeva Hymn: Boons, Japa across the Yugas, and Ascent to Vaikuṇṭha
यं यं तु वांछते कामं स स तस्य भविष्यति । क्षत्रियो जयमाप्नोति धनधान्यैरलंकृतः
yaṃ yaṃ tu vāṃchate kāmaṃ sa sa tasya bhaviṣyati | kṣatriyo jayamāpnoti dhanadhānyairalaṃkṛtaḥ
Người ta ước mong điều gì, thì điều ấy sẽ được thành tựu cho người ấy. Một Kṣatriya đạt chiến thắng và được trang nghiêm bởi của cải cùng lương thực dồi dào.
Unspecified (narrative voice not provided in the input excerpt)
Concept: Mantra-japa (and the praised practice in context) yields both iṣṭa-kāma fulfillment and social-order-specific fruits such as kṣatriya victory and prosperity.
Application: Align desires with dharma: use japa to stabilize mind, then pursue duties (leadership, protection, livelihood) without cruelty or greed.
Primary Rasa: adbhuta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A kṣatriya king stands before a battlefield that is rendered symbolically—no gore—only banners, conches, and a protective aura formed by mantra syllables circling him. Behind, granaries overflow and fields ripple with ripe grain, showing that victory and abundance arise together from disciplined japa.","primary_figures":["a kṣatriya king","court priest/ācārya guiding japa","Vishnu (a protective aura or chakra emblem)"],"setting":"Royal camp near cultivated fields; a small portable shrine and japa seat beside the king’s armor.","lighting_mood":"divine radiance","color_palette":["royal crimson","burnished gold","wheat amber","peacock blue","smoke gray"],"tanjore_prompt":"Tanjore painting style: victorious kṣatriya king with ornate crown and armor, mantra-halo in gold leaf, Vishnu’s chakra emblem above; background of overflowing granaries and golden fields; rich reds/greens, gem-like detailing, temple-icon framing.","pahari_prompt":"Pahari miniature style: refined king with gentle heroism, symbolic battlefield with fluttering flags, distant hills, ripened fields; delicate brushwork, cool shadows, lyrical composition emphasizing dharmic victory.","kerala_mural_prompt":"Kerala mural style: bold king figure, stylized grain sheaves and granary motifs, mantra band as decorative script around; strong outlines, red/yellow/green palette, Vishnu emblem crowning the scene.","pichwai_prompt":"Pichwai cloth painting style: central king framed by lotus and floral borders; mantra medallions and auspicious grain motifs; deep blues and gold, intricate patterns, conch and chakra symbols woven into the border."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","distant war drums (soft)","temple bells","mala clicks","wind through flags"]}
Sandhi Resolution Notes: जयमाप्नोति = जयम् + आप्नोति; धनधान्यैः is dvandva (samāhāra) in instrumental plural; अलंकृतः is kta-kr̥danta from √कृ with उपसर्ग/निपात 'अलम्' (to adorn).
FAQs
It states a results-oriented promise: desired aims are fulfilled, and specifically a kṣatriya gains victory along with prosperity (wealth and provisions).
The pair (dhana–dhānya) commonly signifies complete prosperity—both monetary resources and tangible sustenance/food security.
Not in this excerpt; it reads like a phalaśruti-style statement of benefits, with the implied practice or context lying in the surrounding verses of the chapter.