The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
प्रणमामि महादेवीं मातृकां परमेश्वरीम् । कालहृल्लोहोलोल्लोहकलानाशनकारिणीम् ॥ ११ ॥
praṇamāmi mahādevīṃ mātṛkāṃ parameśvarīm | kālahṛlloholollohakalānāśanakāriṇīm || 11 ||
Con đảnh lễ Đại Nữ Thần—Mātṛkā, Đấng Tối Thượng Nữ Chúa—Đấng tiêu trừ những thời đoạn và tai ách bất tường được biểu thị bởi các âm mantra dữ dội “kāla-hṛt, loho, lolloha”.
Narada (as a devotional invocation within the instructional flow; traditional Narada Purana dialogue frame with Sanatkumara)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: vira
It functions as a protective obeisance (praṇāma) to Mātṛkā-Śakti, portraying the Goddess as the remover of time-bound afflictions and inauspicious forces through mantra-power.
Bhakti is expressed through direct surrender—“I bow”—to the Supreme Goddess, trusting her supreme agency to dissolve obstacles and purify the practitioner’s path.
The verse points to the applied science of sacred sound (mantra-prayoga) and the concept of kalā (time/phase), aligning with Vedāṅga-style technical attention to phonetic/mantric efficacy and timing.