The Description of the Four Durgā Mantras
ततो धूमावतीं ध्यायेच्छत्रुनिग्रहकारिणीम् । विवर्णां चंचलां दुष्टां दीर्घां च मलिनांबराम् ॥ १५७ ॥
tato dhūmāvatīṃ dhyāyecchatrunigrahakāriṇīm | vivarṇāṃ caṃcalāṃ duṣṭāṃ dīrghāṃ ca malināṃbarām || 157 ||
Bấy giờ, hành giả nên quán niệm Đức Nữ Thần Dhūmāvatī, bậc hàng phục kẻ thù—sắc diện nhợt nhạt, biến màu, tâm tánh bất an, dữ dằn, thân hình cao dài, và khoác y phục nhơ bẩn.
Narada (teaching in a technical/ritual-dhyana sequence, within the Narada Purana’s Vedanga-oriented section)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: raudra
It prescribes a specific devatā-dhyāna (deity visualization) of Dhūmāvatī, emphasizing her role as a force that restrains hostile influences; the “austere” iconography signals withdrawal, severity, and protective power rather than worldly beauty.
Bhakti here takes the form of focused meditation (dhyāna) and reverent contemplation of the deity’s attributes; devotion is expressed through disciplined visualization aligned with the intended spiritual or protective purpose.
It reflects a technical application of mantra-śāstra and dhyāna-lakṣaṇa (meditative iconography) used in ritual practice—how specific forms/attributes are contemplated to achieve a stated result such as śatru-nigraha (subduing opposition).