The Description of the Four Durgā Mantras
बहिरष्टदलेष्वर्च्या मन्मथाद्या मदोद्धताः । अपरांगा निषंगाद्याः पुष्पास्त्रेषुधनुर्द्धराः ॥ १४० ॥
bahiraṣṭadaleṣvarcyā manmathādyā madoddhatāḥ | aparāṃgā niṣaṃgādyāḥ puṣpāstreṣudhanurddharāḥ || 140 ||
Trên tám cánh ngoài, nên lễ bái Manmatha và các vị khác—ngạo mạn như say—là các tùy thuộc bên ngoài, mang vũ khí hoa, ống tên, mũi tên và cung.
Narada (teaching in a technical/ritual-structure context, as preserved in Narada Purana Book 1.3)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It specifies the outer-lotus (aṣṭadala) placement of attendant deities—showing that worship is done in a graded mandala: center deity first, then surrounding powers/attendants, completing the sacred field (kṣetra) of the rite.
Bhakti here is expressed as disciplined upāsanā: devotion becomes precise service (seva) through correct placement and honoring of associated powers, rather than random worship.
It reflects applied ritual-technology—mandala/padma-vinyāsa (deity-arrangement) and iconographic identifiers (weapons/attributes), aligning with procedural knowledge used in kalpa-style practice.