Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
श्यामा सरस्वती वृद्धा वैष्णवी गरुडासना । शंखचक्राभयकरा पातु शैवीं दिशं मम ॥ १५० ॥
śyāmā sarasvatī vṛddhā vaiṣṇavī garuḍāsanā | śaṃkhacakrābhayakarā pātu śaivīṃ diśaṃ mama || 150 ||
Nguyện Nữ thần sắc thẫm—Sarasvatī bậc tôn lão—là Vaiṣṇavī, ngự trên Garuḍa, tay cầm ốc, đĩa và ấn vô úy, hộ trì phương Śaiva của con (phương do Śiva chủ trì).
Narada (in a protective/dik-bandhana style invocation within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It functions as a directional-protection (dik-rakṣā/dikbandhana) invocation, harmonizing Śaiva and Vaiṣṇava symbolism by asking a Devi-form bearing Viṣṇu’s emblems to guard the Śaiva quarter.
Bhakti is expressed through remembrance and surrender: the devotee calls upon the deity with specific forms, attributes, and weapons (śaṅkha-cakra-abhaya), trusting divine protection across all quarters.
It reflects ritual application—mantric nyāsa/directional guarding used in worship procedures—showing how precise epithets and iconographic markers are employed as a practical liturgical technique.