The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
गोपानूगोपीश्च गोविंदविलीनमतिलोचनान् । ज्ञानमुद्राभयकरौ पितरौ पीतपांडुरौ ॥ ६४ ॥
gopānūgopīśca goviṃdavilīnamatilocanān | jñānamudrābhayakarau pitarau pītapāṃḍurau || 64 ||
Hành giả nên quán tưởng các mục đồng và các gopī với tâm trí và ánh mắt hoàn toàn tan hòa trong Govinda; và quán tưởng đôi bậc trưởng thượng đáng kính, sắc vàng nhạt, hai tay kết ấn trí tuệ và ấn vô úy.
Narada (as instructor within the Narada Purana’s didactic dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches contemplative absorption (dhyana) where the devotee visualizes the Vraja community—gopas and gopis—as completely merged in Govinda, pointing to single-pointed devotion that matures into inner steadiness and liberation-oriented devotion.
Bhakti is shown as total fixation of mind and gaze on Govinda (govinda-vilīna-mati-locana), indicating that devotion is not merely ritual action but an all-consuming remembrance and loving attention centered on Vishnu as Govinda.
It aligns with applied ritual-visualization principles used in mantra and worship practice—iconographic cues like jñāna-mudrā and abhaya (gestures) guide correct contemplative form during upāsanā, even within a technically oriented (Vedanga-linked) section.