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Narada Purana — Purva Bhaga, Shloka 8

The Account of Kārtavīrya’s Protective Kavaca

Kārtavīrya-kavaca-vṛttānta

मुद्रिकोदरबन्धाद्यैर्मौंजीनूपुरकादिभिः । भूषितं विविधाकल्पैर्भास्वरैः सुमहाधनैः ॥ ८ ॥

mudrikodarabandhādyairmauṃjīnūpurakādibhiḥ | bhūṣitaṃ vividhākalpairbhāsvaraiḥ sumahādhanaiḥ || 8 ||

Ngài được trang sức bằng nhẫn, đai lưng và các vật khác, với dây thánh muñja, vòng chân cùng nhiều bảo sức—khoác lên muôn kiểu trang nghiêm rực rỡ, quý giá vô cùng.

mudrikā-udara-bandha-ādyaiḥwith rings, waist-bands, etc.
mudrikā-udara-bandha-ādyaiḥ:
Karaṇa (करण)
TypeNoun
Rootmudrikā (प्रातिपदिक) + udara-bandha (प्रातिपदिक) + ādi (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (3rd/तृतीया), Plural; ‘with rings, waist-bands, etc.’ (ādyaiḥ = ‘and the like’)
mauñjī-nūpura-ka-ādibhiḥwith mauñjī-girdle, anklets, etc.
mauñjī-nūpura-ka-ādibhiḥ:
Karaṇa (करण)
TypeNoun
Rootmauñjī (प्रातिपदिक) + nūpura (प्रातिपदिक) + ka (प्रत्यय/प्रातिपदिक) + ādi (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (3rd/तृतीया), Plural; ‘with mauñjī (girdle), anklets, etc.’
bhūṣitamadorned
bhūṣitam:
Karma (कर्म)
TypeAdjective
Root√bhūṣ (भूष्)
FormNeuter, Accusative (2nd/द्वितीया), Singular; past participle (क्त)—‘adorned’
vividha-ākalpaiḥwith various ornaments
vividha-ākalpaiḥ:
Karaṇa (करण)
TypeNoun
Rootvividha (प्रातिपदिक) + ākalpa (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (3rd/तृतीया), Plural; ‘with various ornaments/adornments’
bhāsvaraiḥshining
bhāsvaraiḥ:
Karaṇa (करण)
TypeAdjective
Rootbhāsvara (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (3rd/तृतीया), Plural; विशेषण—qualifying ākalpaiḥ; ‘with shining (ornaments)’
su-mahā-dhanaiḥvery precious
su-mahā-dhanaiḥ:
Karaṇa (करण)
TypeAdjective
Rootsu (अव्यय) + mahā (प्रातिपदिक) + dhana (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (3rd/तृतीया), Plural; विशेषण—qualifying ākalpaiḥ; ‘with very great/precious (wealth-like) ornaments’

Narada (narration within the dialogue tradition of Narada Purana)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: shanta

FAQs

It emphasizes the outward marks of a formal sacred or ceremonial setting—ornaments and ritual attire symbolizing status, discipline, and the ordered aesthetics (saṃskāra) of dharmic life.

While not directly teaching bhakti, it supports a bhakti-friendly framework: devotion is often expressed through respectful presentation—clean, proper, and sanctified attire in worship and religious observances.

It aligns with Vedāṅga-linked ritual culture—especially kalpa-style attention to proper ceremonial details and external observances associated with vows, rites, and disciplined conduct.