The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
इति षोडशदोर्दण्डमण्डितं नृहरिं विभुम् । ध्यायेन्नारद नीलाभमुग्रकर्मण्यनन्यधीः ॥ ६१ ॥
iti ṣoḍaśadordaṇḍamaṇḍitaṃ nṛhariṃ vibhum | dhyāyennārada nīlābhamugrakarmaṇyananyadhīḥ || 61 ||
Vì thế, hỡi Nārada, với tâm một mũi, hãy quán niệm Đức Nṛhari, Đấng bao trùm khắp—trang nghiêm mười sáu tay, sắc xanh thẫm, và oai liệt trong những hành nghiệp đại lực.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It prescribes focused dhyāna on Nṛhari (Nṛsiṃha) as a direct spiritual discipline—fixing the mind on the Lord’s form, power, and protective ferocity to purify consciousness and remove fear and obstacles.
Bhakti here is expressed as ananya-dhī—exclusive, unwavering attention to the Lord—where devotion matures into steady meditation on Vishnu’s manifested form (saguṇa-upāsanā).
It highlights the applied discipline of dhyāna used in mantra-upāsanā and ritual visualization—an operational technique supporting correct recitation and worship rather than a grammatical or astrological rule.