The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
ह्रः हिरण्यगर्भरूप धारणान्ते च फट् ध्रुवः । ह्रौं अनौपम्यरूपधारिणास्त्रं ध्रुवस्ततः ॥ १९९ ॥
hraḥ hiraṇyagarbharūpa dhāraṇānte ca phaṭ dhruvaḥ | hrauṃ anaupamyarūpadhāriṇāstraṃ dhruvastataḥ || 199 ||
Âm “hraḥ” được ấn định chắc chắn để dùng ở cuối pháp trì niệm (dhāraṇā) cho hình tướng Hiraṇyagarbha, kèm theo tiếng “phaṭ”. Rồi cũng vậy, “hrauṁ” được ấn định là thần chú vũ khí (astra) mang lấy hình tướng vô song.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It emphasizes disciplined mantra-application: specific bīja-syllables are “fixed” in precise positions (end of dhāraṇā, as astra), indicating that spiritual power is linked to correct form, placement, and intent in mantra-vidyā.
Though technical, it supports bhakti by prescribing focused dhāraṇā on a divine cosmic form (Hiraṇyagarbha) and protective sealing (phaṭ/astram), helping the practitioner maintain single-pointed remembrance and safeguarded worship.
It reflects mantra-prayoga discipline aligned with Vedāṅga concerns—especially śikṣā (correct syllabic utterance) and ritual precision—by specifying exact bīja forms and their prescribed placement (dhruva) within a mantra sequence.