Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
महारत्नौघखचितस्फुरत्तोरणमंडपे । मौक्तिकौघशमदमविराजितवितानके ॥ ९२ ॥
mahāratnaughakhacitasphurattoraṇamaṃḍape | mauktikaughaśamadamavirājitavitānake || 92 ||
Trong mạn-đà-pa ấy, các vòm cổng rực sáng được khảm vô số đại bảo châu; còn tán che thì huy hoàng, trang nghiêm bởi từng đống minh châu (ngọc trai), khiến nơi ấy càng thêm chói ngời.
Narada (narration within the dialogue context with Sanatkumara tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
The jeweled pavilion and pearl-canopy function as a Purāṇic visualization of divine majesty—outer splendor reflecting an inner, sacred order that draws the mind toward reverence and contemplation.
By portraying an awe-inspiring sacred space, the verse supports bhakti through dhyāna (devotional visualization): beauty and sanctity elevate attention, making the heart naturally incline toward worship and remembrance.
Indirectly, it aligns with ritual-space principles—mandapa/toraṇa/vitāna as elements of a consecrated setting—useful for understanding how sacred environments are described and idealized in Purāṇic and ritual literature.