Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
अङ्गानि पूर्वमाराध्य भूवह्निजलमारुतान् । दिक्पात्रेषु च सम्पूज्य कोणपत्रेषु तत्कलाः ॥ १४२ ॥
aṅgāni pūrvamārādhya bhūvahnijalamārutān | dikpātreṣu ca sampūjya koṇapatreṣu tatkalāḥ || 142 ||
Trước hết, hành giả nên kính lễ các chi phần (aṅga); rồi thờ phụng Đất, Lửa, Nước và Gió. Sau khi đã cúng bái đúng nghi trong các khí cụ thuộc các phương, lại nên lễ bái các kalā (phần lực vi tế) của chúng trên những lá ở các góc của đồ hình nghi lễ.
Narada (teaching in a technical/ritual sequence within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches an ordered ritual discipline: purifying and honoring the practitioner’s ‘limbs’ (aṅgas) first, then harmonizing with elemental forces and the cosmic directions, and finally acknowledging their subtle powers (kalās) within the sacred diagram—linking inner preparation with outer cosmology.
Bhakti here appears as methodical reverence: devotion is expressed through careful, complete worship (sampūjā) of the Lord’s manifest supports—elements and directions—so the devotee’s body, space, and intention become aligned for higher worship.
Ritual procedure and spatial arrangement: using direction-specific vessels (dikpātra), placing offerings on a maṇḍala/yantra’s corner-petals, and distinguishing gross elements from their kalās—typical of technical ritual instruction associated with Vedāṅga-style praxis.
Read Narada Purana in the Vedapath app
Scan the QR code to open this directly in the app, with audio, word-by-word meanings, and more.