Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
स्वस्वनामादिवर्णाद्याः शक्तयोऽर्च्या विदिक्षु च । उषां प्रज्ञां प्रभां संध्यां ततो ब्रह्मादिकान्यजेत् ॥ ३१ ॥
svasvanāmādivarṇādyāḥ śaktayo'rcyā vidikṣu ca | uṣāṃ prajñāṃ prabhāṃ saṃdhyāṃ tato brahmādikānyajet || 31 ||
Ở các phương trung gian (vidik) cũng vậy, hãy thờ phụng các Śakti bắt đầu từ những âm đầu của danh xưng riêng của từng vị. Rồi hãy lễ bái Uṣā (Bình minh), Prajñā (Trí tuệ), Prabhā (Quang minh) và Sandhyā (Hoàng hôn); sau đó thờ phụng Brahmā cùng các thần linh khác theo đúng thứ tự.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that worship should be structured and complete: honoring subtle powers (Śaktis) tied to directions and mantra-syllables, then venerating time-junction divinities (dawn/twilight) before proceeding to higher deities like Brahmā—reflecting an ordered ascent from subtle forces to cosmic principles.
Bhakti here is expressed as disciplined upāsanā: devotion becomes effective when offered with proper sequence, attention to divine manifestations (Śaktis, dawn, twilight), and reverence for the cosmic order rather than random or purely emotional worship.
It reflects ritual science tied to directionality (dik/vidik) and varṇa (syllable/letter) awareness—elements associated with mantra-usage and ordered worship procedure, aligning with Vedāṅga-style precision in rites.