Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
नामौ लिंगे पदे न्यस्याखिलेन व्यापकं चरेत् । उद्यदर्कद्युतिं हस्तैः पाशांकुशवराभयान् ॥ ६७ ॥
nāmau liṃge pade nyasyākhilena vyāpakaṃ caret | udyadarkadyutiṃ hastaiḥ pāśāṃkuśavarābhayān || 67 ||
Sau khi an trí (nyāsa) hai Danh lên liṅga và lên đôi chân, hành giả nên tu tập quán niệm về Đấng bao trùm khắp. Hãy quán Thần linh rực sáng như mặt trời vừa mọc, với các tay cầm thòng lọng, móc thúc (aṅkuśa), ấn ban phúc và ấn vô úy.
Narada (teaching in a technical/ritual context; dialogue traditionally framed with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links outer ritual precision (nyāsa on emblem/feet) with inner realization by shifting the practitioner into vyāpaka-dhyāna—contemplating the deity as all-pervading, radiant consciousness.
Bhakti here is expressed as disciplined upāsanā: the devotee sanctifies the body/ritual space through nyāsa and then fixes loving attention on the deity’s luminous form and protective, grace-giving gestures.
It highlights mantra-vidhi and nyāsa (a technical ritual application often aligned with Śikṣā/Vyākaraṇa precision in mantra handling) along with dhyāna-lakṣaṇa—standardized visualization markers used in formal worship.