Sanatkumāra’s Bhāgavata Tantra: Tattvas, Māyā-Bonds, Embodiment, and the Necessity of Dīkṣā
अनंतरं कलारागं सूते भिद्यंगरूपकम् । येन भोग्याय जनिता भिद्यंगे पुरुषे पुनः ॥ ६१ ॥
anaṃtaraṃ kalārāgaṃ sūte bhidyaṃgarūpakam | yena bhogyāya janitā bhidyaṃge puruṣe punaḥ || 61 ||
Sau đó, nó sinh ra sự chấp trước gọi là “kalā-rāga”, mang hình thái phân biệt thành các chi phần (và chức năng). Nhờ vậy, một lần nữa, con người—đã phân chia thành các chi phần—được tạo ra để thọ hưởng và kinh nghiệm các đối tượng khoái lạc.
Suta
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It identifies attachment (rāga), specifically the limitedizing tendency called kalā-rāga, as a causal link that generates differentiated embodiment so that the self undergoes experience (bhoga), thereby sustaining saṃsāra.
By showing that rāga drives embodiment for enjoyment, it indirectly supports Bhakti as a corrective: redirecting attachment away from bhogya (objects) toward the Lord reduces binding desire and loosens the compulsion toward repeated embodied experience.
A Vedanga-style analytic model is implied: understanding causal sequencing (subtle disposition → attachment → differentiated functions/limbs → experience). This supports disciplined practice by diagnosing rāga as the operative mechanism behind karmic embodiment.