Śuka’s Origin, Mastery of Śāstra, and Testing at Janaka’s Court
अथ रूपं परं विप्र बिभ्रतीं स्वेन तेजसा । घृताचीं नामाप्सरसं ददर्श भगवान्नृषिः ॥ १९ ॥
atha rūpaṃ paraṃ vipra bibhratīṃ svena tejasā | ghṛtācīṃ nāmāpsarasaṃ dadarśa bhagavānnṛṣiḥ || 19 ||
Bấy giờ, hỡi bà-la-môn, bậc hiền thánh được phúc lành đã trông thấy tiên nữ apsaras tên Ghṛtācī, mang vẻ đẹp tối thượng và tự tỏa sáng bằng hào quang của chính mình.
Narada (narrative voice within the Moksha-dharma section; describing events)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
It introduces a classic Purāṇic theme: a radiant apsaras appears before a sage, testing the steadiness of mind—highlighting that spiritual progress requires vigilance over desire even when beauty and splendour appear.
By implying the presence of temptation, it indirectly supports Bhakti as a stabilizing refuge: remembrance of the Divine and disciplined devotion help the seeker remain unmoved by sensory attraction.
No explicit Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught in this line; the practical takeaway is ethical-ascetic training (tapas and indriya-nigraha) as part of Mokṣa-dharma discipline.