Sṛṣṭi-pralaya-kathana: Mahābhūta-guṇāḥ, Vṛkṣa-indriya-vādaḥ, Prāṇa-vāyu-vyavasthā
एवं षोडशविस्तारो ज्योतीरुपगुणः स्मृतः । तत्रैकगुणमाकाशं शब्द इत्येव तत्स्मृतम् ॥ ८९ ॥
evaṃ ṣoḍaśavistāro jyotīrupaguṇaḥ smṛtaḥ | tatraikaguṇamākāśaṃ śabda ityeva tatsmṛtam || 89 ||
Như vậy, nguyên lý rực sáng (tejas) được ghi nhớ là có sự triển khai mười sáu mặt về phẩm tính. Trong đó, ākāśa (hư không) được nói chỉ có một phẩm tính duy nhất—chính là âm thanh (śabda).
Sanatkumara (teaching Narada in the Moksha Dharma dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It grounds moksha-teaching in tattva-viveka (discernment of principles): by knowing that ākāśa is defined by the single guṇa of sound, the seeker learns to separate the Self from elemental properties and reduce identification with sensory attributes.
While primarily a knowledge (jñāna) verse, it supports bhakti by refining attention: recognizing sound as the key quality of ākāśa helps one treat sacred sound (nāma, mantra, stotra) as a disciplined medium, not mere sensory entertainment, thereby stabilizing devotion.
The verse aligns with Vedic cosmology used in nirukta and śikṣā contexts: it links śabda (sound/phoneme) with ākāśa, reinforcing why precise sound-production and recitation (śikṣā) matter in mantra and Vedic study.