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Shloka 26

Adhyaya 90The Slaying of Shumbha and the Reabsorption of the Goddesses into Ambika

ततो देवगणाः सर्वे हर्षनिर्भमानसाः ।

बभूवुर्निहते तस्मिन् गन्धर्वा ललितं जगुः ॥

tato deva-gaṇāḥ sarve harṣa-nirbhamānasāḥ /

babhūvur nihate tasmin gandharvā lalitaṃ jaguḥ

Bấy giờ, khi hắn bị giết, toàn thể chư thiên đều tràn đầy hoan hỷ, và các Gandharva cất tiếng ca ngọt ngào.

tataḥthen
tataḥ:
Kāla (काल)
TypeIndeclinable
Roottatas (अव्यय-प्रातिपदिक)
Formअव्यय, काल/अनन्तर्यवाचक (then)
deva-gaṇāḥgroups of gods
deva-gaṇāḥ:
Karta (कर्ता)
TypeNoun
Rootdeva (देव प्रातिपदिक) + gaṇa (गण प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; तत्पुरुष (devānāṃ gaṇāḥ)
sarveall
sarve:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsarva (सर्व प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘deva-gaṇāḥ’ इत्यस्य विशेषणम्
harṣa-nirbhara-mānasāḥwhose minds were full of joy
harṣa-nirbhara-mānasāḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootharṣa (हर्ष) + nirbhara (निर्भर) + mānasa (मानस)
Formपुंलिङ्ग, प्रथमा, बहुवचन; बहुव्रीहि: ‘harṣeṇa nirbharaṃ mānasaṃ yeṣām’
babhūvuḥbecame / were
babhūvuḥ:
Kriyā (क्रिया)
TypeVerb
Rootbhū (भू धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष, बहुवचन
nihatewhen (he) was slain
nihate:
Adhikaraṇa (अधिकरण)
TypeVerb
Roothan (हन् धातु) → nihata (कृदन्त-प्रातिपदिक)
Formकृदन्त (past passive participle with नि-), सप्तमी एकवचन; ‘when slain’
tasminin him/that one
tasmin:
Adhikaraṇa (अधिकरण)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन
gandharvāḥGandharvas
gandharvāḥ:
Karta (कर्ता)
TypeNoun
Rootgandharva (गन्धर्व प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन
lalitama sweet/pleasant (song)
lalitam:
Karma (कर्म)
TypeNoun
Rootlalita (ललित प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; कर्मपद (object)
jaguḥsang
jaguḥ:
Kriyā (क्रिया)
TypeVerb
Rootgai (गै धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष, बहुवचन
Narrative voice within Devī Māhātmyam
DevīDeva-gaṇasGandharvas
Devī as object of divine praise (implicit)
Divine celebrationStotra/praise cultureCommunal relief

FAQs

Gratitude and praise follow protection; the gods’ rejoicing models the proper response to grace—recognizing the source of restored order.

Itihāsa-like episode within a manvantaric frame; illustrates the functional role of devas in cosmic administration responding to restored balance.

Gandharva-song symbolizes the harmony of inner faculties after conflict; ‘music’ is the sign of re-integration of the psyche under śakti.