Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
प्रातर्निशायां मध्याह्ने सन्ध्ययोश्चापि तत्परौ ।
तयोः कालेन महता स्तूयमानो वृषध्वजः ॥
prātarniśāyāṃ madhyāhne sandhyayoścāpi tatparau / tayoḥ kālena mahatā stūyamāno vṛṣadhvajaḥ
Vào buổi sáng, ban đêm, giữa trưa, và cả trong các thời khắc hoàng hôn nữa, chuyên chú vào sự thờ phụng ấy, trong thời gian dài họ đã tán dương Vṛṣadhvaja (Śiva, Đấng có cờ mang hình bò).
{ "primaryRasa": "bhakti", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Dharma is sustained by regularity: worship aligned with daily temporal junctions (sandhyā) trains steadiness and sanctifies time itself.
Not pancalakṣaṇa; it is practice-oriented narrative illustrating vrata-like perseverance.
The repeated time-points map outer time to inner rhythms; praising Śiva at ‘junctions’ signifies turning consciousness at transitions toward the Absolute.