Shloka 32
Rājasūyābhiṣeka-darśana: Duryodhana’s Observation of the Consecration
मुहुर्मुहु: प्रणदतस्तस्य शड्खस्य भारत । अनिशं शब्दमश्रौषं ततो रोमाणि मे5हृषन्,भारत! ऐसा शंख वहाँ बार-बार बजता था और मैं निरन्तर उस शंख-ध्वनिको सुना करता था; इससे मेरे शरीरमें रोमांच हो आता था
muhurmuhuḥ praṇadatas tasya śaṅkhasya bhārata | aniśaṃ śabdam aśrauṣaṃ tato romāṇi me 'hṛṣan ||
Duryodhana nói: “Hỡi Bhārata, chiếc tù và ấy cứ vang lên hết lần này đến lần khác. Ta nghe tiếng ngân dội không dứt của nó mãi, và vì thế lông tóc trên người ta dựng đứng.”
दुर्योधन उवाच
Educational Q&A
The verse highlights how sensory impressions—especially powerful sounds—can stir intense inner reactions. In the courtly-ethical setting of the Mahābhārata, such reactions often function as portents: a mind already driven by ambition and hostility becomes further unsettled, revealing the fragility beneath outward confidence.
Duryodhana reports that a conch was being blown repeatedly and continuously. Hearing its persistent sound, he experiences bodily bristling (romāñca), signaling strong emotional arousal—excitement mixed with apprehension—within the unfolding tensions of the Sabha Parva.