Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention
मयस्कराय विश्वाय विष्णवे ब्रह्मणे नमः अन्तकाय नमस्तुभ्यम् उमायाः पतये नमः
mayaskarāya viśvāya viṣṇave brahmaṇe namaḥ antakāya namastubhyam umāyāḥ pataye namaḥ
Kính lễ Ngài—Đấng ban phúc lành, Đấng trùm khắp vũ trụ; kính lễ Ngài như Viṣṇu và như Brahmā. Kính lễ Ngài như Antaka, Đấng kết liễu muôn loài; kính lễ Ngài, Pati của Umā—Śiva, Đấng giải thoát paśu khỏi pāśa.
Suta Goswami (narrating a stuti within the Linga Purana’s Shaiva frame)
It frames Linga-bhakti as worship of the one Pati who manifests as creator (Brahmā), preserver (Viṣṇu), and dissolver (Antaka), making Linga-pūjā a complete worship of all cosmic functions.
Shiva-tattva is presented as viśva (all-pervading) and mayaskara (giver of auspicious grace), transcending sectarian limits while assuming the roles of Brahmā and Viṣṇu and ending bondage through His power over time and death (Antaka).
The takeaway is mantra-japa and stuti as a Pāśupata-oriented contemplation: recognizing one Lord as the inner reality of creation, preservation, and dissolution, coupled with devotion to Umā-pati as the giver of anugraha (liberating grace).