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Shloka 60

एकार्णव-सृष्टिक्रमः, ब्रह्म-विष्णु-परस्परप्रवेशः, शिवस्य आगमनं च

दशबाहुस्त्रिशूलाङ्को नयनैर्विश्वतः स्थितः लोकप्रभुः स्वयं साक्षाद् विकृतो मुञ्जमेखली

daśabāhustriśūlāṅko nayanairviśvataḥ sthitaḥ lokaprabhuḥ svayaṃ sākṣād vikṛto muñjamekhalī

Ngài hiện ra với mười cánh tay, mang dấu ấn tam xoa; đôi mắt ở khắp mọi phương, tầm nhìn bao trùm vũ trụ. Ngài là Chúa tể các thế giới—chính Śiva hiển lộ trực tiếp—thị hiện hình tướng kỳ diệu, thắt đai bằng cỏ muñja.

दशबाहुःten-armed
दशबाहुः:
त्रिशूलाङ्कःmarked with/characterized by the trident (triśūla)
त्रिशूलाङ्कः:
नयनैःwith eyes
नयनैः:
विश्वतःon all sides/everywhere
विश्वतः:
स्थितःabiding/established
स्थितः:
लोकप्रभुःLord of the worlds (Pati)
लोकप्रभुः:
स्वयंHimself
स्वयं:
साक्षात्directly, in immediate manifestation
साक्षात्:
विकृतःtransformed/assuming a special (awe-inspiring) form
विकृतः:
मुञ्जमेखलीwearing a muñja-grass girdle (ascetic/ritual belt).
मुञ्जमेखली:

Suta Goswami (narrating to the sages of Naimisharanya)

S
Shiva

FAQs

It frames Shiva as the direct, self-manifest Pati (Lord) whose presence pervades all directions—supporting Linga worship as worship of the all-pervading, formless-with-form reality made approachable through sacred marks and symbols.

Shiva-tattva is shown as sovereign and immediate (sākṣāt), capable of assuming forms (vikṛta) without losing transcendence; His “eyes everywhere” indicates omniscience and all-pervasion over Pashu (souls) bound by Pāśa (bondage).

The muñja-grass girdle signifies Vedic-ascetic discipline and vrata-like observance, aligning with Pāśupata orientation: restraint, consecrated conduct, and recognition of Shiva’s marks (like the triśūla) as aids to contemplation and worship.