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Linga Purana — Purva Bhaga, Shloka 15

विष्णुरुवाच—एकाक्षर-प्रणव-लिङ्ग-व्याप्ति-शिवस्तोत्रम्

सुताराय विशिष्टाय नमो दुन्दुभिने हर शतरूपविरूपाय नमः केतुमते सदा

sutārāya viśiṣṭāya namo dundubhine hara śatarūpavirūpāya namaḥ ketumate sadā

Kính lễ Đấng rực sáng như sao, bậc tối thắng; kính lễ Hara, Đấng như tiếng trống (dundubhi) vang lên lời tuyên cáo của vũ trụ. Ôi Hara—đảnh lễ Ngài, Đấng mang trăm hình tướng mà cũng siêu việt mọi hình tướng; kính lễ mãi mãi Ngài, Lá Cờ của Tỉnh Thức, Dấu Hiệu luôn rạng ngời.

sutārāyato the good guide/true helmsman
sutārāya:
viśiṣṭāyato the distinguished/supremely excellent one
viśiṣṭāya:
namaḥsalutations
namaḥ:
dundubhineto the drum-sounding one (cosmic resonance/proclamation)
dundubhine:
haraO Hara (the remover of bondage and sorrow)
hara:
śata-rūpaof a hundred forms (manifold manifestations)
śata-rūpa:
virūpāyato the formless/extra-formal one (beyond limiting form)
virūpāya:
ketumateto the bannered one/the radiant sign-holder
ketumate:
sadāalways/ever
sadā:

Suta (narrating a Shiva-stuti within the discourse to the sages of Naimisharanya)

S
Shiva

FAQs

It praises Shiva as both multi-formed and beyond form, supporting Linga-upasana where the Linga functions as the transcendent sign (ketu) of the Formless Pati while still allowing devotion through manifest names and attributes.

Shiva is presented as Pati who guides beings (sutara), pervades creation through countless manifestations (śatarūpa), yet remains unrestricted by any single form (virūpa), revealing a Siddhanta-style balance of immanence and transcendence.

A stuti-based upasana: recitation of divine names with contemplation—meditating on Shiva as inner sound/resonance (dundubhi) and as the luminous sign of consciousness (ketumat), dissolving pasha in the pashu through devotion and insight.