Kapālamocana: The Cutting of Brahmā’s Fifth Head, Śiva’s Kāpālika Vow, and Purification in Vārāṇasī
तमभ्यधावद् भगवान् हरिर्नारायणः स्वयम् / अथास्थायापरं रूपं नृत्यदर्शनलालसः
tamabhyadhāvad bhagavān harirnārāyaṇaḥ svayam / athāsthāyāparaṃ rūpaṃ nṛtyadarśanalālasaḥ
Bấy giờ, Đức Thế Tôn Hari—chính Nārāyaṇa—chạy đến gần Ngài. Rồi Người khoác lấy một hình tướng khác, lòng khát khao được chiêm ngưỡng vũ điệu.
Purana narrator (Suta/Vyasa tradition), describing Bhagavan Narayana’s action within the ongoing narrative
Primary Rasa: adbhuta
Secondary Rasa: shringara
By showing Bhagavān freely “assuming another form,” the verse implies the Supreme is not limited by a single body-form; form is a chosen manifestation, while the underlying reality remains sovereign and unconfined.
The verse centers on darśana (sacred beholding): devotion matures through attentive vision of the Lord’s līlā. In Kurma Purana’s broader spiritual frame, such focused reverent attention supports steadiness of mind (ekāgratā), a foundation for yogic discipline.
Though explicitly naming Hari-Nārāyaṇa, the motif of the Lord’s transformative līlā aligns with the Purana’s synthetic theology: the one Supreme appears in diverse modes for devotees—supporting a non-sectarian, convergent Shaiva–Vaishnava reading.