Veṅkaṭācala Māhātmya: Bhakti-Lakṣaṇa, Nārasiṁha-tīrtha, and the Secret Darśana-Vidhi of Śrīnivāsa
अतो हि गोविन्द इति स्मृतः सदा भो वेदवेद्येति तथा न ननृतुः / आनन्दबाष्पैश्च समन्विता हि हरे मुरारे तव दर्शनं हि
ato hi govinda iti smṛtaḥ sadā bho vedavedyeti tathā na nanṛtuḥ / ānandabāṣpaiśca samanvitā hi hare murāre tava darśanaṃ hi
Vì thế Ngài luôn được tưởng niệm là “Govinda”; quả thật Ngài là Đấng được nhận biết qua các Veda. Do vậy họ múa trong lòng sùng kính, và nước mắt hỷ lạc trào dâng—hỡi Hari, hỡi Murāri—chỉ bởi được thấy Ngài.
Narrator/compiled voice of the Purana praising Lord Vishnu (Hari/Murari)
Concept: Nāma-smaraṇa and darśana of Govinda as the Veda-vedya (known through the Vedas) culminate in transformative bliss.
Vedantic Theme: Saguna Brahman as Veda-pramāṇa-gocara; devotion ripens into direct experiential certainty (anubhava) without denying śāstra.
Application: Daily repetition of Govinda/Hari/Murāri with śāstra-respect; cultivate darśana-bhāva (seeing the Lord in temple/icon and in life) leading to softened heart and tears of gratitude.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 3.24.58-61 (continuation: dwelling with the Lord, nāma-kīrtana, reaching a tīrtha)
This verse frames “Govinda” as a constant remembrance-name of the Supreme, highlighting bhakti as an immediate, living connection to Hari rather than a merely intellectual idea.
By calling the Lord “veda-vedya” (knowable through the Vedas) while depicting dancing and blissful tears, it unites scriptural knowledge with direct devotional experience at the Lord’s darśana.
Keep steady nāma-smaraṇa (remembering names like Govinda/Hari) and pair study of dharma with heartfelt worship—letting understanding mature into humility, gratitude, and ethical conduct.