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Agni Purana — Yoga & Brahma-vidya, Shloka 52

Āgneya-Purāṇa-māhātmya

The Greatness and Self-Testimony of the Agni Purāṇa

सर्वे मत्स्यावताराद्या गीता रामायणन्त्विह हरिवंशो भारतञ्च नव सर्गाः प्रदर्शिताः

sarve matsyāvatārādyā gītā rāmāyaṇantviha harivaṃśo bhāratañca nava sargāḥ pradarśitāḥ

Tại đây, mọi truyện tích khởi từ hóa thân Matsya, cùng với Gītā, Rāmāyaṇa, Harivaṁśa, Bhārata, và chín phần/sự sáng tạo chính (nava-sarga) đều đã được thuật bày.

sarveall
sarve:
Karta (कर्ता/subject)
TypeAdjective
Rootsarva (प्रातिपदिक)
Formपुँल्लिङ्ग, प्रथमा-विभक्ति, बहुवचन; विशेषण (collective)
matsya-avatāra-ādyāḥ(the accounts) beginning with the Matsya incarnation, etc.
matsya-avatāra-ādyāḥ:
Karta (कर्ता/subject apposition)
TypeNoun
Rootmatsya (प्रातिपदिक) + avatāra (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुँल्लिङ्ग, प्रथमा-विभक्ति, बहुवचन; षष्ठी/तत्पुरुष-समासार्थ (matsya-avatāra as qualifier; ādi = etc.)
gītāthe Gītā
gītā:
Karta (कर्ता/subject item)
TypeNoun
Rootgītā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
rāmāyaṇamthe Rāmāyaṇa
rāmāyaṇam:
Karta (कर्ता/subject item)
TypeNoun
Rootrāmāyaṇa (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
tuindeed
tu:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, अवधानार्थक-निपात (emphatic)
ihahere (in this text)
iha:
Adhikarana (अधिकरण/locative sense)
TypeIndeclinable
Rootiha (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
harivaṃśaḥHarivaṃśa
harivaṃśaḥ:
Karta (कर्ता/subject item)
TypeNoun
Rootharivaṃśa (प्रातिपदिक)
Formपुँल्लिङ्ग, प्रथमा-विभक्ति, एकवचन
bhāratamthe Bhārata (Mahābhārata)
bhāratam:
Karta (कर्ता/subject item)
TypeNoun
Rootbhārata (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन
caand
ca:
Sambandha (सम्बन्ध/conjunction)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयार्थक-अव्यय (conjunction)
navanine
nava:
Visheshana (विशेषण/of sargāḥ)
TypeAdjective
Rootnava (प्रातिपदिक)
Formपुँल्लिङ्ग, प्रथमा-विभक्ति, बहुवचन; संख्याविशेषण
sargāḥcreations; chapters of creation
sargāḥ:
Karta (कर्ता/subject)
TypeNoun
Rootsarga (प्रातिपदik)
Formपुँल्लिङ्ग, प्रथमा-विभक्ति, बहुवचन
pradarśitāḥhave been presented
pradarśitāḥ:
Kriya (क्रिया/passive predicate)
TypeVerb
Rootpra + dṛś (धातु)
Formकृदन्त, भूतकर्मणि-क्त (PPP), पुँल्लिङ्ग, प्रथमा-विभक्ति, बहुवचन; कर्मणि प्रयोग

Lord Agni (narrating to sage Vasiṣṭha, per the standard Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Avatara-Katha","secondary_vidya":"Samanya","practical_application":"Serves as a content-map: directs readers to the Purāṇa’s narrative corpus (avatāras, epics, Gītā) and cosmological schema (nava-sarga).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Itihāsa–Purāṇa Saṅgraha: Avatāras, Gītā, Rāmāyaṇa, Harivaṃśa, Bhārata, Nava-sarga","lookup_keywords":["matsyāvatāra","gītā","rāmāyaṇa","harivaṃśa","nava-sarga"],"quick_summary":"Indexes major narrative and doctrinal materials included: avatāra stories from Matsya onward, the Gītā, the two epics and Harivaṃśa, plus the ninefold creation schema."}

Alamkara Type: Samuccaya (accumulative listing)

Concept: Smṛti-canon integration: avatāra-kathā and itihāsa as vehicles for dharma and brahma-jñāna; nava-sarga as cosmological pedagogy.

Application: Use as a reading itinerary: avatāra narratives for bhakti/dharma, Gītā for yoga and jñāna, epics for applied ethics and polity, nava-sarga for cosmological orientation.

Khanda Section: Sahitya-shastra / Itihasa-Purana-Sangraha (Catalog of sacred literature and narratives)

Primary Rasa: adbhuta

Secondary Rasa: vīra

Visual Art Cues: {"scene_description":"A panoramic montage: Matsya avatāra rescuing the Vedas, scenes of Rāma and Kṛṣṇa, a Gītā teaching tableau, and a cosmological diagram of nine creations.","kerala_mural_prompt":"Kerala mural montage in registers: Matsya in ocean, Rāma with bow, Kṛṣṇa teaching Arjuna, cosmic lotus with nine sarga layers, bold flat colors.","tanjore_prompt":"Tanjore triptych: central Kṛṣṇa-Arjuna Gītā scene with gold leaf, side panels Matsya and Rāma, lower band showing nava-sarga as lotus-cosmos, ornate frame.","mysore_prompt":"Mysore painting, didactic layout with labeled vignettes (Matsya, Gītā, Rāmāyaṇa, Harivaṃśa, Bhārata, Nava-sarga), fine lines and soft shading.","mughal_miniature_prompt":"Mughal miniature, courtly illustrated manuscript page with multiple small panels: Matsya, battlefield Gītā discourse, epic scenes, and a cosmology chart, intricate borders."}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"epic"}

Sandhi Resolution Notes: रामायणन्त्विह = रामायणम् + तु + इह; भारतञ्च = भारतम् + च; मत्स्यावताराद्याḥ = मत्स्यावतार + आद्याः (समास/समुच्चयार्थ).

Related Themes: Agni Purāṇa: avatāra-kathā sections (Matsya onward); Agni Purāṇa: Gītā-saṅgraha/summary passages (where included); Agni Purāṇa: sarga/pratisarga cosmology chapters

M
Matsya-avatara
B
Bhagavad Gita
R
Ramayana
H
Harivamsha
M
Mahabharata

FAQs

It imparts a classificatory, śāstric “index” knowledge—identifying key Itihāsa texts (Gītā, Rāmāyaṇa, Bhārata, Harivaṁśa) and the cosmological schema of the nine sargas (primary creations/emanations) as subjects treated here.

By explicitly listing major pan-Indian scriptural corpora and a core cosmological framework (nava-sarga), it signals that the Agni Purāṇa functions as a compendium—summarizing and cross-referencing epics, avatāra narratives, and cosmology rather than restricting itself to a single topic.

The verse emphasizes the merit of engaging with authoritative narratives of dharma and avatāras; studying or hearing these summaries is traditionally held to refine understanding of dharma and support punya (religious merit) through scriptural remembrance and right knowledge.