Agni Purana — Avatara-lila, Shloka 3
मत्स्यावतारवर्णनम्
The Description of the Matsya Incarnation
आसीदतीतकल्पान्ते ब्राह्मो नैमित्तिको लयः समुद्रोपप्लुतास्तत्र लोका भूरादिका मुने
āsīdatītakalpānte brāhmo naimittiko layaḥ samudropaplutāstatra lokā bhūrādikā mune
Vào cuối kiếp trước, hỡi bậc hiền triết, đã xảy ra sự hủy diệt tạm thời kiểu Phạm Thiên (naimittika pralaya); tại đó, các thế giới bắt đầu từ Bhū (cõi địa) đều bị đại dương tràn ngập.
Lord Agni (narrating to the sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Avatara-Katha","practical_application":"Use the pralaya model to contextualize cyclical time (kalpa, pralaya) in Purana study and ritual calendars; supports theological framing for avatara narratives that arise to restore dharma after dissolution.","sutra_style":false}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Naimittika Pralaya (Brahma-type Occasional Dissolution)","lookup_keywords":["naimittika pralaya","brahma-laya","kalpanta","samudra-upaplava","bhu-loka"],"quick_summary":"Defines the occasional dissolution at a kalpa’s end where the lower worlds are inundated. Serves as the cosmological backdrop for subsequent avatara interventions."}
Concept: Cyclic cosmology: creation and dissolution recur; worldly structures are impermanent within kalpa-time.
Application: Cultivate detachment and dharma-orientation by viewing prosperity and catastrophe as phases within cosmic cycles.
Khanda Section: Srishti-Pralaya (Cosmology: Creation and Dissolution)
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A cosmic ocean swells and covers the terrestrial and lower worlds; faint silhouettes of lokas/subtle realms recede under waves at kalpa’s end.","kerala_mural_prompt":"Kerala temple mural style, deep mineral blues and greens, stylized curling waves engulfing Bhuloka and lower lokas, cosmic horizon, subtle devas watching from upper registers, traditional flat perspective, ornate borders.","tanjore_prompt":"Tanjore painting, gold-leaf highlights on wave crests and cosmic motifs, layered lokas as bands, Bhuloka submerged, rich reds and blues, decorative arch framing the pralaya scene.","mysore_prompt":"Mysore painting, clean linework and soft shading, diagrammatic bands of lokas labeled, ocean inundation shown as expanding blue field, instructional cosmology plate aesthetic.","mughal_miniature_prompt":"Mughal miniature, detailed turbulent sea with fine brushwork, distant islands/continents disappearing, atmospheric perspective, small figures of sages/devas on a high ledge observing the deluge, illuminated manuscript feel."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"epic"}
Sandhi Resolution Notes: āsīd atīta-kalpa-ante → āsīdatītakalpānte; samudra-upaplutāḥ tatra → samudropaplutāstatra; bhū-ādikāḥ → bhūrādikāḥ
Related Themes: Agni Purana cosmology sections on sarga/pratisarga and pralaya typology; Agni Purana avatara narratives that follow pralaya framing (Matsya cycle)
FAQs
It imparts cosmological terminology—especially the definition of naimittika (occasional) pralaya associated with Brahmā—used for classifying types of dissolution in Purāṇic time-reckoning.
By cataloging technical categories of time and dissolution (kalpa, naimittika laya, lokas), it exemplifies the Agni Purana’s compendium-style coverage of cosmology alongside its many other disciplines.
It underscores impermanence at a cosmic scale—worlds themselves are withdrawn—encouraging detachment (vairāgya) and orientation toward dharma and liberation rather than transient worldly security.