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Varaha Purana 217.7 — Adhyaya 217, Shloka 7

Eulogy of the Merits (Phalaśruti) of the Dharāṇī–Varāha Dialogue

यशस्वी कीर्त्तिमान्भूत्वा वन्द्यते प्रेत्य चेह च ॥ श्रोतव्यमेतत्सततं चातुर्वर्ण्यैः सुसंयुतैः

yaśasvī kīrtimān bhūtvā vandyate pretya ceha ca || śrotavyam etat satataṃ cāturvarṇyaiḥ susaṃyutaiḥ

“یَش اور کیرتی والا ہو کر انسان کی یہاں بھی اور مرنے کے بعد بھی تعظیم ہوتی ہے۔ یہ بات چاروں ورنوں کے ساتھ درست طور پر وابستہ لوگوں کو ہمیشہ سنتے رہنی چاہیے۔”

यशस्वीglorious
यशस्वी:
Karta-samānādhikaraṇa (कर्तृसमानाधिकरण)
TypeAdjective
Rootयशस्विन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; गुणवाचक
कीर्तिमान्famed
कीर्तिमान्:
Karta-samānādhikaraṇa (कर्तृसमानाधिकरण)
TypeAdjective
Rootकीर्तिमत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
भूत्वाhaving become
भूत्वा:
Pūrvakāla-kriyā (पूर्वकालक्रिया)
TypeVerb
Rootभू (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), ‘having become’
वन्द्यतेis revered / is worshipped
वन्द्यते:
Kriyā (क्रिया)
TypeVerb
Rootवन्द् (धातु)
Formलट्-लकार (Present), कर्मणि-प्रयोग (Passive), प्रथम-पुरुष (3rd person), एकवचन
प्रेत्यafter death
प्रेत्य:
Kāla (काल/temporal)
TypeIndeclinable
Rootप्र + इ (धातु)
Formक्त्वान्त-अव्ययकृदन्त (gerund), ‘having departed (after death)’
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
इहhere (in this world)
इह:
Deśa (देश)
TypeIndeclinable
Rootइह (अव्यय)
Formअव्यय; देशवाचक (adverb of place)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
श्रोतव्यम्should be heard
श्रोतव्यम्:
Vidhi (विधि/obligation)
TypeAdjective
Rootश्रु (धातु) → श्रोतव्य (कृदन्त-प्रातिपदिक)
Formतव्यत्-प्रत्यय (gerundive/obligative), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विधेय (predicate)
एतत्this
एतत्:
Karma (कर्म)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति, एकवचन
सततम्always, continually
सततम्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootसतत (प्रातिपदिक/अव्ययीभाववत् प्रयोग)
Formअव्ययवत् क्रियाविशेषण (adverb)
चातुर्वर्ण्यैःby the four varṇas
चातुर्वर्ण्यैः:
Karta (कर्ता; agent group)
TypeNoun
Rootचातुर्वर्ण्य (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; द्विगु-समास (चत्वारः वर्णाः यस्य/ये)
सुसंयुतैःwell-disciplined / well-endowed
सुसंयुतैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसु + सं + युज् (धातु) → संयुत (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त/PPP), पुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; ‘well-endowed/fully disciplined’

Varāha (default dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"varnashrama","instruction_summary":"The teaching (phalaśruti) is to be heard continually by those properly established in the four varṇas, implying disciplined receptivity and adherence to social-dharmic order.","karmic_consequence":"Regular hearing yields honor and fame in this world and after death; neglect implies loss of such merit and social-spiritual esteem."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"śravaṇa (authoritative listening) and dharma-sādhana","core_concept":"Śravaṇa of purāṇic dharma generates both laukika (social honor) and paralaukika (post-mortem) esteem.","practical_application":"Maintain regular listening/recitation within one’s dharmic discipline and community setting (satsaṅga), treating the text as a lived ethical guide."}

Subject Matter: ["Ethics","Social History","Textual Tradition"]

Primary Rasa: Shanta

Secondary Rasa: Veera

Related Themes: Varāha–Bhūmi-saṃvāda phalaśruti cluster (217.7–217.12)

Visual Art Cues: {"scene_description":"Varāha as a dignified teacher concluding a dharma-oriented discourse, with attentive listeners representing the four varṇas in orderly assembly.","item_prompts":["Varāha seated in teaching posture","manuscript/palm-leaf text","four groups of listeners distinguished by attire/implements","calm āśrama or sabhā setting"],"kerala_mural_prompt":"Kerala mural style: Varāha with serene expression, bold outlines, flat warm colors; orderly audience in symmetrical tiers; palm-leaf manuscript emphasized.","tanjore_prompt":"Tanjore style: Varāha as central icon-like teacher with ornate crown and jewelry; gold-leaf halo; four varṇa listeners as smaller figures offering añjali.","mysore_prompt":"Mysore style: refined linework, soft shading; Varāha teaching in a courtly-sabhā; subtle textiles and restrained ornamentation.","pahari_prompt":"Pahari style: hillside āśrama pavilion; Varāha teacher with gentle face; listeners in bright garments; emphasis on narrative clarity and landscape."}

Audio Atmosphere: {"recitation_mood":"Didactic and auspicious (phalaśruti tone)","suggested_raga":"Madhyamāvati","pace":"Medium-slow, clearly articulated","voice_tone":"Steady, authoritative, benedictory"}

P
Purāṇic Literature
A
Ancient Social Categories
S
Sanskrit Philology
P
Phalaśruti

FAQs

It illustrates how Purāṇic texts link listening/recitation with social prestige and posthumous remembrance, reflecting norms of patronage, learning, and public honor in premodern South Asia.

No place-name appears here; the verse is about the social reach of the teaching and its recommended audience.

Regular listening to valued teachings is presented as a disciplined practice associated with personal reputation and social respect.

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