HomeVamana PuranaAdh. 57Shloka 66
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Shloka 66

Prahlada's Tirtha CircuitPrahlada’s Pilgrimage Circuit: Tirtha-Mahatmya from Naimisha to Rudrakoti and Shalagrama

ततस्त्रिकूटं गिरिमत्रिपुत्रं जगाम द्रष्टुं स हि चक्रपाणिनम् तमीड्य भक्त्या तु गजेन्द्रसोक्षणं जजाप जप्यं परमं पवित्रम्

tatastrikūṭaṃ girimatriputraṃ jagāma draṣṭuṃ sa hi cakrapāṇinam tamīḍya bhaktyā tu gajendrasokṣaṇaṃ jajāpa japyaṃ paramaṃ pavitram

پھر وہ اَتری پُتر کہلانے والے تریکوٹ پہاڑ پر چکرپانی کے دیدار کے لیے گیا۔ بھکتی سے گجندر کے دکھ ہَرنے والے کی ستوتی کر کے اس نے نہایت پاکیزہ، جپ کے لائق منتر کا جپ کیا۔

Narratorial voice within the Adhyaya’s pilgrimage account
Vishnu (Cakrapāṇi)
Shaiva–Vaishnava continuity within pilgrimageDarśana of Viṣṇu (cakrapāṇi-darśana)Gajendra-mokṣa remembrance as devotional keyMantra-japa as tīrtha practicePurāṇic sacral geography (mountain as sacred node)

{ "primaryRasa": "bhakti", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

This is characteristic of Purāṇic tīrtha itineraries that map a unified sacred landscape: the pilgrim moves through Śaiva and Vaiṣṇava nodes without contradiction, presenting devotion as complementary and the geography as integrative.

It invokes Viṣṇu’s archetypal role as immediate savior (as in the Gajendra-mokṣa narrative). The epithet frames Trikūṭa not merely as a scenic mountain but as a place resonant with deliverance, protection, and grace—key motivations for pilgrimage.

Purāṇas often genealogize natural features to sacralize them. Calling Trikūṭa ‘Atri’s son’ embeds the mountain in ṛṣi-lineage and mythic time, elevating it from geography to a living participant in sacred history.