शुष्काणि चैव पर्णानि नाशितानि तया यदा । अपर्णेति च विख्याता बभुव तनुमध्यमा
śuṣkāṇi caiva parṇāni nāśitāni tayā yadā | aparṇeti ca vikhyātā babhuva tanumadhyamā
جب اس نے خشک پتے بھی ترک کر دیے تو وہ ‘اپرنا’ یعنی ‘جس کے پاس پتے نہیں’ کے نام سے مشہور ہو گئی۔ وہ باریک کمر والی اسی نام سے معروف ہوئی۔
Narrator (within Māheśvarakhaṇḍa context, traditionally Sūta/Lomaharṣaṇa)
Tirtha: Kedāra-tapas-kṣetra (Aparṇā-smṛti)
Type: kshetra
Scene: Girijā relinquishes even dry leaves; the moment of total renunciation crystallizes into her famed name ‘Aparṇā’, the slender-waisted ascetic radiant with tapas.
Names in Purāṇic tradition often encode spiritual achievement; ‘Aparṇā’ signifies the pinnacle of renunciation and tapas.
Kedāra is the implied sacred context where this famed austerity—and thus the epithet Aparṇā—takes prominence.
It describes an extreme fasting discipline (renouncing even leaves), a model of tapas rather than a temple-ritual instruction.