Brahmā–Viṣṇu Garva-vādaḥ
The Dispute of Pride Between Brahmā and Viṣṇu
सव्योत्तरेतरपदं तदर्हितकरां बुजम् । स्वगणैः सर्वतो जुष्टं सर्वलक्षणलक्षितम्
savyottaretarapadaṃ tadarhitakarāṃ bujam | svagaṇaiḥ sarvato juṣṭaṃ sarvalakṣaṇalakṣitam
اُن کے بائیں اور دائیں قدم کامل توازن میں تھے، اور اُن کے کنول جیسے ہاتھ مناسب و شایان مُدروں میں آراستہ تھے۔ اپنے ہی گنوں سے ہر طرف گھِرے ہوئے، وہ تمام مبارک علامتوں سے متصف تھے۔
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Jyotirlinga: Viśvanātha
Sthala Purana: Viśveśvara (Kāśī) is praised as the Lord of the universe; the scene’s courtly, gaṇa-surrounded epiphany aligns with Kāśī’s theology of Śiva as the ever-present sovereign who grants liberation to those who approach him.
Significance: Darśana of Viśvanātha is held to confer pāpa-kṣaya and, in Kāśī’s special doctrine, readiness for anugraha leading to liberation (especially through Śiva’s saving presence).
The verse emphasizes Saguna-darśana: contemplating Shiva’s auspicious form—balanced stance, sacred hand-gestures, and divine marks—so the mind becomes steady and receptive to His grace, which leads the bound soul (paśu) toward liberation under the Lord (Pati).
Though Liṅga-worship points to the transcendent (nirguṇa) reality, the Purāṇa also validates Saguna contemplation: visualizing Shiva with auspicious lakṣaṇas and surrounded by gaṇas supports devotion, concentration, and reverence that culminate in Liṅga-centered worship and realization.
Practice dhyāna (meditation) on Shiva’s form as described—steady posture and sacred mudrā-like hands—while repeating the Pañcākṣarī mantra “Om Namaḥ Śivāya,” optionally with vibhūti (tripuṇḍra) and rudrākṣa to reinforce Shaiva discipline.