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Shiva Purana — Rudra Samhita, Shloka 8

देवीयोगनिद्रास्तुतिḥ तथा चण्डिकायाः प्रादुर्भावः | Hymn to Devī Yogānidrā and the Manifestation of Caṇḍikā

शरदिंद्वानना शुभ्रचन्द्रभाला त्रिलोचना । सर्वावयवरम्या च कमलांघ्रिनखद्युतिः

śaradiṃdvānanā śubhracandrabhālā trilocanā | sarvāvayavaramyā ca kamalāṃghrinakhadyutiḥ

اس کا چہرہ خزاں کے چاند کی مانند تھا، پیشانی پر پاکیزہ ہلال کی چمک تھی۔ وہ تِرینیترا تھی، ہر عضو میں دلکش، اور اس کے کمل چرنوں کے ناخنوں کی روشنی روشن دمک رہی تھی۔

शरद्-इन्दु-आननाmoon-faced like the autumn moon
शरद्-इन्दु-आनना:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootशरद् + इन्दु + आनन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण; ‘face like the autumn moon’
शुभ्र-चन्द्र-भालाwith a bright moon-like forehead
शुभ्र-चन्द्र-भाला:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootशुभ्र + चन्द्र + भाल (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण; ‘forehead like a bright moon’
त्रि-लोचनाthree-eyed
त्रि-लोचना:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootत्रि + लोचन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण; ‘three-eyed’
सर्व-अवयव-रम्याlovely in all her limbs
सर्व-अवयव-रम्या:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसर्व + अवयव + रम्य (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण; ‘beautiful in all limbs’
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
कमल-अङ्घ्रि-नख-द्युतिःhaving the radiance of the nails of lotus-feet
कमल-अङ्घ्रि-नख-द्युतिः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootकमल + अङ्घ्रि + नख + द्युति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण; ‘having the lustre of the nails of lotus-like feet’

Sūta Gosvāmin (narrating to the sages at Naimiṣāraṇya)

Tattva Level: pati

Shiva Form: Umāpati

Shakti Form: Gaurī

Role: nurturing

Offering: dipa

P
Parvati
S
Sati

FAQs

The verse presents Satī’s auspicious, luminous form as a support for devotion (bhakti) and contemplation, teaching that the Divine Mother’s beauty is not merely aesthetic but a revelation of purity, grace, and śakti that leads the mind toward Shiva-consciousness.

In Shaiva tradition, Saguna worship includes reverence to Shiva together with Śakti; praising Satī’s form complements Linga worship by affirming Shiva as Pati (Lord) and Satī/Parvatī as His inseparable power, making devotion complete and inwardly transformative.

A simple dhyāna practice is implied: visualize the Goddess with moonlike face and three eyes, then offer mental worship (mānasa-pūjā) while repeating “Om Namaḥ Śivāya,” cultivating purity and one-pointed devotion.