Shloka 23
सुवेलारोहणं रावण-सुग्रीव-नियुद्धम्
Ascent of Suvela and the Ravana–Sugriva Duel
मण्डलानिविचित्राणिस्थानानिविविधानिच ।मूत्रकाणिचित्राणिगतप्रत्यागतानिच ।।।।तिरच्शीनगतान्येवतथावक्रगतानिच ।परिमोक्षंप्रहाराणांवर्जनंपरिधावनम् ।।।।अभिद्रवणमाप्लावमावस्थानंसविग्रहम् ।परावृत्तमपावृत्तमपद्रुतमवप्लुतम् ।।।।उपन्यस्तपमन्यस्तंयुद्धमार्गविशारदौ ।तौसञ्चेचेरतुरन्योन्यंवानरेन्द्रश्चरावणः ।।।।
maṇḍalāni vicitrāṇi sthānāni vividhāni ca |
mūtrakāṇi citrāṇi gatapratyāgatāni ca ||
tiraścīnagātāny eva tathā vakragatāni ca |
parimokṣaṃ prahārāṇāṃ varjanaṃ paridhāvanam ||
abhidravaṇam āplāvam āvasthānaṃ savigraham |
parāvṛttam apāvṛttam apadrutam avaplutam ||
upanyastam apavyastaṃ yuddhamārgaviśāradau |
tau sañceccheratur anyonyaṃ vānarendraś ca rāvaṇaḥ ||
جنگ کے طریقوں میں ماہر، راون اور وानروں کے سردار نے عجیب و غریب دائرے اور طرح طرح کے انداز دکھائے: پیچ دار چالیں، آگے بڑھنا اور پیچھے ہٹنا، پہلو بہ پہلو اور ٹیڑھی حرکات؛ وار چھوڑنا اور وار سے بچنا؛ دوڑ کر حملہ کرنا؛ جھپٹنا اور اچھلنا؛ ٹھہر کر سنبھلنا؛ رخ پھیرنا اور پھر پلٹ آنا؛ پیچھے ہٹ کر ایک طرف لپک جانا؛ گرفت باندھنا اور کھول دینا—یوں دونوں ایک دوسرے کے مقابل گردش کرتے رہے، اپنی جنگی مہارت آشکار کرتے ہوئے۔
Both Vanara king and Ravana being learned in war craft, went around in circles like ox's urine, stood in different wonderful postures, moved forward and backward horizontally and obliquely to evade movements, hitting, and delivering each other, standing steadily motionless, striking, jumping, assaulting each other coming forward and going away, going backwards jumping from behind, holding hands and folding to resist exhibiting their skill in combat.
FAQs
Power is shown as structured and rule-governed skill: dharma favors trained, accountable use of force (yuddha-mārga), not chaotic violence—implying that even battle has disciplines and limits.
The text pauses to catalogue the technical footwork, feints, holds, and maneuvers displayed by Sugrīva and Rāvaṇa during their duel.
Martial mastery and self-control—skillful movement, timing, and restraint within combat technique.