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Shloka 4

The Duties and Conduct of the Graduate (Snātaka) and the Householder

छत्रं चोष्णीषममलं पादुके चाप्युपानहौ । रौक्मे च कुंडले धार्ये कृत्तकेशनखः शुचिः

chatraṃ coṣṇīṣamamalaṃ pāduke cāpyupānahau | raukme ca kuṃḍale dhārye kṛttakeśanakhaḥ śuciḥ

چھتری ساتھ رکھے اور بے داغ عمامہ (اُشنیش) پہنے؛ پادوکا اور جوتے بھی اختیار کرے۔ سنہری کُنڈل پہن کر بال اور ناخن تراشے، اور ہمیشہ پاکیزہ و طاہر رہے۔

chatramumbrella
chatram:
Karma (कर्म/Object)
TypeNoun
Rootchatra (प्रातिपदिक)
FormNapuṃsaka (Neuter), Dvitīyā vibhakti (Accusative/2nd), Ekavacana (Singular)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
uṣṇīṣamturban/head-cloth
uṣṇīṣam:
Karma (कर्म/Object)
TypeNoun
Rootuṣṇīṣa (प्रातिपदिक)
FormPuṃliṅga (Masculine), Dvitīyā vibhakti (Accusative/2nd), Ekavacana (Singular)
amalamclean, spotless
amalam:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootamala (प्रातिपदिक)
FormPuṃliṅga (Masculine), Dvitīyā vibhakti (Accusative/2nd), Ekavacana (Singular); viśeṣaṇa of uṣṇīṣam
pādukea pair of sandals
pāduke:
Karma (कर्म/Object)
TypeNoun
Rootpādukā (प्रातिपदिक)
FormStrīliṅga (Feminine), Dvitīyā vibhakti (Accusative/2nd), Dvivacana (Dual)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
apialso
api:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootapi (अव्यय)
FormAvyaya; additive particle
upānahaua pair of shoes/footwear
upānahau:
Karma (कर्म/Object)
TypeNoun
Rootupānah (प्रातिपदिक)
FormStrīliṅga (Feminine), Dvitīyā vibhakti (Accusative/2nd), Dvivacana (Dual)
raukmegolden
raukme:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootraukma (प्रातिपदिक)
FormNapuṃsaka (Neuter), Dvitīyā vibhakti (Accusative/2nd), Dvivacana (Dual); viśeṣaṇa of kuṇḍale
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya; conjunction
kuṇḍalea pair of earrings
kuṇḍale:
Karma (कर्म/Object)
TypeNoun
Rootkuṇḍala (प्रातिपदिक)
FormNapuṃsaka (Neuter), Dvitīyā vibhakti (Accusative/2nd), Dvivacana (Dual)
dhāryeto be worn
dhārye:
Vidheyaviśeṣaṇa (विधेयविशेषण/Predicative)
TypeAdjective
Rootdhārya (कृदन्त-प्रातिपदिक)
FormGerundive (ya-pratyaya; 'to be worn'); Napuṃsaka (Neuter), Dvitīyā vibhakti (Accusative/2nd), Dvivacana (Dual); predicate adjective for kuṇḍale
kṛtta-keśa-nakhaḥhaving cut hair and nails
kṛtta-keśa-nakhaḥ:
Karta (कर्ता/Subject)
TypeAdjective
Rootkṛtta (कृदन्त-प्रातिपदिक) + keśa (प्रातिपदिक) + nakha (प्रातिपदिक)
FormTatpuruṣa (samāhāra/coordination within determinative: kṛttāḥ keśāḥ ca nakhāḥ yasya); Puṃliṅga (Masculine), Prathamā vibhakti (Nominative/1st), Ekavacana (Singular)
śuciḥpure/clean
śuciḥ:
Karta (कर्ता/Subject)
TypeAdjective
Rootśuci (प्रातिपदिक)
FormPuṃliṅga (Masculine), Prathamā vibhakti (Nominative/1st), Ekavacana (Singular)

Unspecified (narrative injunction within Svarga-khaṇḍa; exact speaker not given in the provided excerpt)

Concept: Outer cleanliness and orderly conduct reinforce inner purity and readiness for sacred duties.

Application: Maintain personal hygiene and simplicity; treat daily grooming as a mindful ritual that supports clarity and ethical action.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A purified practitioner stands beneath a canopy, holding a parasol, wearing a spotless turban and golden earrings. His hair and nails are neatly trimmed; sandals and shoes are placed with care, conveying a life where even small details become offerings to dharma.","primary_figures":["disciplined dvija/vratin (ideal practitioner)"],"setting":"Ashram entrance or temple approach path with a clean stone threshold, a small water vessel nearby, and neatly arranged personal items.","lighting_mood":"golden dawn","color_palette":["clean white","turmeric yellow","polished gold","stone gray","forest green"],"tanjore_prompt":"Tanjore painting style: ideal dvija/vratin adorned with spotless turban, gold earrings, parasol held upright, sandals and shoes depicted as ritual propriety; gold leaf accents on jewelry and parasol rim, rich maroon-green background, ornate border patterns emphasizing purity and order.","pahari_prompt":"Pahari miniature style: refined figure at an ashram gate, delicate rendering of fabric folds and jewelry, soft morning light; cool greens and grays with warm gold highlights, understated elegance and restraint.","kerala_mural_prompt":"Kerala mural style: bold outlined figure with parasol and turban, stylized earrings, clear emphasis on trimmed hair/nails; red-yellow-green palette, mural panels framing the accessories as symbolic icons of śauca.","pichwai_prompt":"Pichwai cloth painting style: central figure framed by lotus and floral borders, parasol as decorative motif, gold detailing on earrings; deep blue background with white and gold ornamentation, peacocks in corners for auspiciousness."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft footfall on stone","temple bells faint","morning birds","gentle breeze"]}

Sandhi Resolution Notes: coṣṇīṣam → ca uṣṇīṣam; uṣṇīṣamamalam → uṣṇīṣam amalam; cāpyupānahau → ca api upānahau.

FAQs

It teaches sādācāra (proper conduct), emphasizing cleanliness (śauca) and disciplined personal grooming alongside appropriate dress.

They are treated as outward supports for inner purity, self-restraint, and readiness for worship, social duties, and disciplined living.

The thrust is propriety and regulated conduct—maintaining cleanliness, suitable attire, and dignified appearance—rather than indulgence for its own sake.