Shloka 13
The Origin and Worship of Bhauma
Mars/Lohitāṅga
त्यक्त्वैकां पार्वतीं दुर्गां न तस्य मानसं स्थिरम् । ततः क्रुद्धो जगत्स्वामी तं च वैरूप्यतां नयेत्
tyaktvaikāṃ pārvatīṃ durgāṃ na tasya mānasaṃ sthiram | tataḥ kruddho jagatsvāmī taṃ ca vairūpyatāṃ nayet
ایک ہی پاروتی—درگا—کو چھوڑ دینے سے اس کا دل ثابت قدم نہ رہا۔ تب جگت کے سوامی نے غضبناک ہو کر اسے بھی بدصورتی و بگاڑ کی حالت میں گرا دیا۔
Narrator (contextual speaker not specified in the provided excerpt)
Concept: A mind that abandons rightful devotion/steadfastness becomes unsteady; divine governance restores order through consequences.
Application: Guard steadiness (sthairya) in commitments; when desire or fickleness breaks vows, accept consequences as corrective and return to disciplined conduct.
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A cosmic court scene where the Jagatsvāmī, radiant and stern, turns his gaze upon a wavering being who has abandoned Durgā-Pārvatī. The offender’s form begins to distort—limbs and face subtly warping—while the goddess stands unwavering, embodying śakti and dharma, as the universe trembles in moral clarity.","primary_figures":["Jagatsvāmī (cosmic Lord)","Pārvatī/Durgā","the transgressing being (daitya/offspring of asura-lineage, unnamed)","attendant devas/sages (optional)"],"setting":"Celestial assembly with lotus-throne motifs and a horizon showing the three worlds as layered spheres; a faint mandala of order behind the Lord.","lighting_mood":"divine radiance with storm-edged severity","color_palette":["gold leaf","sapphire blue","vermilion red","smoky indigo","ivory white"],"tanjore_prompt":"Tanjore painting style: Jagatsvāmī enthroned on a lotus pedestal with heavy gold leaf halo and embossed ornaments, right hand raised in stern command; Pārvatī/Durgā at his side with rich red-green silk, gem-studded crown; the offender in the foreground shown mid-transformation into disfigurement, with stylized cosmic backdrop and ornate arch (prabhāmaṇḍala), deep maroon background, intricate jewelry highlights.","pahari_prompt":"Pahari miniature style: a refined celestial court with delicate linework; Jagatsvāmī’s calm yet severe expression, Pārvatī poised and luminous; the offender’s face subtly distorted with expressive restraint; cool blues and soft gold washes, cloud bands and distant layered worlds, lyrical composition and gentle gradients.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat natural pigments; Jagatsvāmī with large expressive eyes and yellow-gold body tones, Pārvatī in red and green with ornate headgear; the offender’s disfigurement rendered symbolically with asymmetry; temple-wall aesthetic with decorative borders and lotus medallions.","pichwai_prompt":"Pichwai cloth painting style: Vishnu-centered cosmic order motif with lotus and floral borders; Jagatsvāmī as the preserver framed by lotuses and peacocks, Pārvatī as śakti presence; the offender shown below as a cautionary vignette; deep blue ground, gold detailing, intricate white floral filigree."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","low thunder","brief silence after the curse-like turn"]}
Sandhi Resolution Notes: tyaktvaikām = tyaktvā + ekām; jagatsvāmī = jagat + svāmī; vairūpyatāṃ (acc. sg.); nayet is विधिलिङ् 3sg.
FAQs
“Jagatsvāmī” means “Lord of the world,” a title used for the supreme divine ruler in Purāṇic narration; the exact identification depends on the surrounding chapter context.
It warns that abandoning devotion and fidelity to the divine (here symbolized by Pārvatī/Durgā) destabilizes the mind and can lead to downfall through the consequences of one’s actions.
The verse links inner instability (“the mind not steady”) with an outer result (“disfigurement”), presenting a Purāṇic theme where moral/spiritual disorder manifests as tangible suffering.