Shloka 34
The Slaying of the Kālakeyas and the Greatness of Vināyaka Worship
एकदंतं महाप्राज्ञं लंबतुंडं विनायकम् । देवं महर्षिदेवानांमिंद्रस्य च नताः स्म ह
ekadaṃtaṃ mahāprājñaṃ laṃbatuṃḍaṃ vināyakam | devaṃ maharṣidevānāṃmiṃdrasya ca natāḥ sma ha
ہم اُس دیوتا وِنایک کو سجدہ کرتے ہیں—یک دنت، نہایت دانا، دراز سونڈ والے—جسے مہارشیوں اور دیوتاؤں کے ساتھ ساتھ خود اِندر بھی نمسکار کرتا ہے۔
Narrator (context not explicitly specified in the given verse)
Concept: Honor the proper order of worship; humility before the divine removes impediments and restores harmony.
Application: Begin important undertakings with reverent invocation and gratitude; acknowledge overlooked contributors and correct omissions promptly.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"In a luminous celestial hall near a blazing sacrificial altar, the devas and great ṛṣis fold their hands and bow low before Vināyaka. Gaṇeśa stands serene and immense—single tusk gleaming, long trunk curved like a sacred river—while Indra’s crown dips in humility, signaling that even kings of heaven honor the remover of obstacles.","primary_figures":["Vināyaka (Gaṇeśa)","Indra (Śakra)","Deva-gaṇa","Mahārṣis"],"setting":"Celestial yajña pavilion with vedi, ladles, soma vessels, and garlanded pillars; faint mandala patterns on the floor; attendants holding fly-whisks.","lighting_mood":"divine radiance","color_palette":["vermillion red","ivory white","antique gold","emerald green","smoky sandalwood brown"],"tanjore_prompt":"Tanjore painting style: Vināyaka centered before a jeweled yajña-vedi, single tusk and long trunk emphasized, devas and Indra bowing at his feet; heavy gold leaf halos, embossed ornaments, rich crimson and emerald textiles, gem-studded crowns, ornate arch (prabhāmaṇḍala), sacred fire rendered with gold highlights.","pahari_prompt":"Pahari miniature style: a refined celestial courtyard with delicate linework; Gaṇeśa calm and benevolent, devas in soft pastel garments bowing; cool gradients, lyrical clouds, thin gold accents, refined faces, subtle incense haze drifting above the altar.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments; Gaṇeśa with large expressive eyes, red-yellow-green palette; devas arranged symmetrically around a stylized yajña fire, ornamental borders and temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: auspicious mandala backdrop with lotus and vine borders; Gaṇeśa enthroned near a stylized altar, peacocks and floral motifs framing the scene; deep indigo ground with gold detailing, intricate textile patterns on deva garments."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","crackling sacrificial fire","soft cymbals","incense-laden silence"]}
Sandhi Resolution Notes: maharṣidevānāṃmiṃdrasya = maharṣi-devānām + indrasya (anusvāra/orthographic joining in source); epithets in accusative qualify vināyakam/devam.
FAQs
Vināyaka (Gaṇeśa) is praised, described as single-tusked (Ekadanta), supremely wise, and long-trunked.
The verse emphasizes Vināyaka’s universal reverence—honored by great sages and even by Indra—highlighting his status as a foremost deity worthy of obeisance.
It teaches humility and proper reverence: even the highest celestial authorities (like Indra) bow to divine wisdom and leadership, modeling respectful devotion.