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Shloka 72

Expansion of Creation through Dakṣa and Kaśyapa: Devas, Dānavas, Nāgas, Birds, and Cosmic Offices

शंखपाल महाशंख पुष्पदंष्ट्रं शुभाननाः । शंखरोमा च नहुषो रमणः पणिनस्तथा

śaṃkhapāla mahāśaṃkha puṣpadaṃṣṭraṃ śubhānanāḥ | śaṃkharomā ca nahuṣo ramaṇaḥ paṇinastathā

شنکھ پال، مہاشنکھ، پُشپ دَنشٹر، شُبھانن؛ شنکھ روما، نہوش، رمَن اور پنِن—اسی طرح دیگر بھی۔

शंखपालŚaṅkhapāla (name)
शंखपाल:
Karta (List item)
TypeNoun
Rootशंख (प्रातिपदिक) + पाल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम); तत्पुरुष (śaṅkha-keeper/protector)
महाशंखMahāśaṅkha (name)
महाशंख:
Karta (List item)
TypeNoun
Rootमहा (प्रातिपदिक) + शंख (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम); कर्मधारय
पुष्पदंष्ट्रम्Puṣpadaṃṣṭra (name)
पुष्पदंष्ट्रम्:
Karta (List item)
TypeNoun
Rootपुष्प (प्रातिपदिक) + दंष्ट्रा (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम); तत्पुरुष (flower-like fangs)
शुभाननाःŚubhānana(s) (auspicious-faced)
शुभाननाः:
Karta (List item)
TypeNoun
Rootशुभ (प्रातिपदिक) + आनन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन (नाम/समूह); बहुव्रीहि (‘those whose faces are auspicious’)
शंखरोमाŚaṅkharomā (name)
शंखरोमा:
Karta (List item)
TypeNoun
Rootशंख (प्रातिपदिक) + रोमा/रोमन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम); बहुव्रीहि (‘one whose hair/pores are like conch’)
and
:
Sambandha/Connector
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-निपात (conjunction)
नहुषःNahuṣa (name)
नहुषः:
Karta (List item)
TypeNoun
Rootनहुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम)
रमणःRamaṇa (name)
रमणः:
Karta (List item)
TypeNoun
Rootरमण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन (नाम)
पणिनःPaṇin(s) (name/group)
पणिनः:
Karta (List item)
TypeNoun
Rootपणिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, बहुवचन (नाम; list)
तथाalso/likewise
तथा:
Discourse particle
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकारवाचक-अव्यय (adverb: thus/also)

Uncertain (context not provided; likely a narrator listing names within the Sṛṣṭikhaṇḍa dialogue framework).

Concept: Tradition preserves memory through lists; continuity itself is a sacred act in Purāṇic culture.

Application: Honor lineage—family, teachers, and cultural memory—while aligning it with ethical purpose.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A procession of nāgas gliding through a jeweled corridor, each serpent-chief introduced like a royal in a ceremonial parade. Their hoods bear conch-like spirals and floral fang motifs, while the cavern walls glitter with embedded gems and ancient inscriptions.","primary_figures":["Śaṅkhapāla","Mahāśaṅkha","Puṣpadaṃṣṭra","Śubhānana","Śaṅkharomā","Nahuṣa (nāga)","Ramaṇa","Paṇin"],"setting":"subterranean palace corridor with gem-lit walls, carved pillars, and ritual banners","lighting_mood":"temple lamp-lit","color_palette":["burnished gold","cinnabar red","deep teal","ivory","amethyst"],"tanjore_prompt":"Tanjore painting style: nāga procession in a palace arcade, gold leaf highlighting gem-studded walls and hood ornaments; rich reds and greens, embossed decorative borders, symmetrical composition with each nāga framed like a sanctum icon.","pahari_prompt":"Pahari miniature style: elegant serpents in flowing S-curves, delicate ornamentation, cool shadows; lyrical cavern architecture with fine linework, subtle gradients, and refined facial expressions for anthropomorphic nāga forms.","kerala_mural_prompt":"Kerala mural style: bold outlines and patterned hoods, rhythmic repetition of figures; lamp-lit corridor suggested by warm yellow fields and red accents, temple-wall narrative panel composition.","pichwai_prompt":"Pichwai cloth painting style: ceremonial parade arranged around a central conch (śaṅkha) medallion; ornate floral borders, deep blue background with gold highlights, stylized lotuses and vines integrating the nāga names as decorative calligraphy."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["small temple bells","soft hand cymbals","echoing footsteps in a hall","low humming drone"]}

Sandhi Resolution Notes: नामसूची; ‘पणिनस्तथा’ = पणिनः + तथा (visarga sandhi).

Ś
Śaṅkhapāla
M
Mahāśaṅkha
P
Puṣpadaṃṣṭra
Ś
Śubhānana
Ś
Śaṅkharomā
N
Nahuṣa
R
Ramaṇa
P
Paṇin

FAQs

They are proper names—traditionally understood as nāgas (serpent-beings/serpent-kings) or notable beings—presented as part of a catalogue-style enumeration in the Sṛṣṭikhaṇḍa.

Not directly; it is primarily a name-list verse. Its value is archival and cosmographic, preserving traditional lineages/categorized beings that later sections may connect to ritual, geography, or mythology.

Such catalogues function as cultural memory: they organize the cosmos into knowable lineages and communities, reinforcing the Purāṇic theme that creation is ordered, interconnected, and preserved through transmission.