Shloka 46
The Destruction of Dakṣa’s Sacrifice
नात्र मन्युस्त्वया कार्यः सर्वः स्वं भागमर्हति । अन्यजन्मनि यैर्यादृक्कृतं कर्म शुभाशुभम्
nātra manyustvayā kāryaḥ sarvaḥ svaṃ bhāgamarhati | anyajanmani yairyādṛkkṛtaṃ karma śubhāśubham
یہاں تم غصّے کو جگہ نہ دو؛ ہر ایک کو اپنا ہی حصہ ملتا ہے۔ پچھلے جنم میں جیسے جیسے نیک یا بد اعمال کیے گئے تھے، ویسا ہی پھل نصیب ہوتا ہے۔
Unspecified (narrative dialogue context not provided in the input excerpt)
Concept: Do not yield to anger; each being receives outcomes proportionate to prior deeds (śubhāśubha-karma) across births.
Application: When wronged, pause before reacting; interpret events through karma and respond with dharmic boundaries rather than rage.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A calm teacher raises a hand in a gesture of reassurance, stopping a listener’s rising anger. Behind them, a subtle wheel motif—half-visible like a watermark—suggests the turning of karma across births, while storm clouds part into clear sky.","primary_figures":["sage/teacher","agitated listener (disciple or householder)","personified Karma-wheel motif (symbolic)"],"setting":"Forest hermitage veranda with kusa grass mats; distant sky transitioning from stormy to serene.","lighting_mood":"forest dappled","color_palette":["smoky gray","sage green","ochre","sky blue","warm gold"],"tanjore_prompt":"Tanjore painting style: a serene rishi seated on a throne-like asana, right hand in abhaya/śānti gesture toward an angry disciple; ornate gold leaf halo, stylized karma-wheel motif in the background, rich maroon and green drapery, temple-arch framing, jewel-like detailing on manuscripts and water pot.","pahari_prompt":"Pahari miniature style: a hermitage scene with delicate trees and a clearing sky; the teacher gently restrains the disciple’s anger, fine linework on expressions, cool blues and greens, lyrical clouds parting, subtle circular karma emblem in the sky.","kerala_mural_prompt":"Kerala mural style: bold outlines, expressive eyes; rishi in saffron with palm-leaf manuscript, disciple with tense posture softening; background shows a stylized chakra-like wheel and clearing clouds, red-yellow-green palette with rhythmic floral borders.","pichwai_prompt":"Pichwai cloth painting style: central teaching scene framed by lotus and vine borders; a symbolic wheel of karma integrated into floral mandala patterns, deep blue ground with gold highlights, peacocks perched calmly to mirror the mood of restraint."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["rustling leaves","tanpura drone","soft hand bell","distant thunder fading","bird calls"]}
Sandhi Resolution Notes: नात्र = न + अत्र; मन्युस्त्वया = मन्युः + त्वया; भागमर्हति = भागम् + अर्हति; अन्यजन्मनि = अन्य + जन्मनि; यैर्यादृक् = यैः + यादृक्; शुभाशुभम् = शुभ + अशुभम् (द्वन्द्ववत् समाहार/युग्मार्थ)
FAQs
It teaches karmic justice: outcomes are apportioned according to one’s own past actions, so anger is inappropriate; steadiness and ethical reflection are advised.
It emphasizes responsibility: present circumstances are linked to prior deeds (śubha/aśubha), implying that current actions also shape future results.
It advises restraint from anger and encourages equanimity—understanding that each person experiences consequences tied to their own karmic history.