Shloka 117
Durvasa’s Curse, the Churning of the Ocean, and Lakshmi’s Manifestation
Chapter 4
त्वत्तो यज्ञास्त्वजायंत त्वत्तो श्वाश्चैव दंतिनः । गावस्त्वत्तः समुद्भूताः त्वत्तो जातावयोमृगाः
tvatto yajñāstvajāyaṃta tvatto śvāścaiva daṃtinaḥ | gāvastvattaḥ samudbhūtāḥ tvatto jātāvayomṛgāḥ
آپ ہی سے یَجْن کے کرم پیدا ہوئے؛ آپ ہی سے کتے اور ہاتھی بھی وجود میں آئے۔ آپ ہی سے گائیں ظاہر ہوئیں، اور آپ ہی سے بھیڑیں اور جنگلی جانور پیدا ہوئے۔
Unspecified in provided excerpt (context needed from surrounding verses in Adhyaya 4)
Concept: All categories—ritual acts and diverse creatures—originate from the Supreme, implying a unified sacred ground beneath apparent hierarchy and difference.
Application: Practice reverence toward life-forms and duties alike; reduce contempt and cultivate responsibility, seeing all beings as arising from the same divine source.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"From a central divine radiance, streams of life unfold like painted ribbons: cows stepping onto green earth, elephants emerging from mist, dogs appearing near human settlements, and wild beasts leaping from forest shadows. Above them, symbolic yajña-flames and ritual patterns hover, showing that dharma and nature arise together from one source.","primary_figures":["Viṣṇu/Nārāyaṇa (as emanation source)","Animals (cows, elephants, dogs, sheep, wild beasts)","Ritual personifications (yajña-flame/altar motifs)"],"setting":"A panoramic ‘first earth’ tableau: forest edge, pasture, and a small sacrificial ground blended into one mythic landscape under a cosmic sky.","lighting_mood":"golden dawn","color_palette":["fresh leaf green","earth ochre","sunrise gold","storm-cloud gray","lotus pink"],"tanjore_prompt":"Tanjore painting style: Viṣṇu as radiant source above, with gold-leaf aura; below, a tiered landscape where cows, elephants, dogs, sheep, and wild beasts appear in orderly procession; small homa-kuṇḍa motif with embossed gold flames; rich reds/greens, ornate borders, jewel-like detailing on divine ornaments.","pahari_prompt":"Pahari miniature style: lyrical landscape with rolling hills and forest glades; animals rendered with delicate realism; a soft luminous presence of Viṣṇu in the sky; cool greens and blues with warm sunrise accents, refined faces and gentle narrative flow.","kerala_mural_prompt":"Kerala mural style: stylized animals in rhythmic arrangement, bold outlines and flat color fields; Viṣṇu above with large expressive eyes; warm reds/yellows/greens, decorative vegetal borders, temple mural composition.","pichwai_prompt":"Pichwai cloth painting style: symmetrical pastoral-cosmic composition—central lotus medallion for the divine source, flanked by cows and elephants, with floral borders and small yajña motifs; deep blue and gold with intricate white lotus patterns, textile-like density and devotional ornamentation."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["birds at dawn","distant cowbells","soft drum pulse","gentle wind"]}
Sandhi Resolution Notes: त्वत्तो/त्वत्तः = त्वद् (abl.sg) + तः; यज्ञास्त्वजायंत = यज्ञाः + त्वत् + अजायन्त; श्वाश्चैव = श्वाः + च + एव; गावस्त्वत्तः = गावः + त्वत्तः; समुद्भूताः = सम्+उद्+भू (PPP); जातावयोमृगाः = जात + अवयः + मृगाः (समास/सन्धि-समुच्चयः, बहुवचन-प्रथमा).
FAQs
It presents a creation motif where both sacred institutions (yajña) and living beings (domestic and wild animals) are said to originate from a single supreme source.
By stating that yajñas are ‘born’ from the same origin as creatures, the verse frames ritual order as part of cosmic order, not merely a human invention.
It implies reverence toward life—especially beings like cows that are culturally and ritually significant—since they are portrayed as emanations of the same sacred origin.