Shloka 130
भविष्ये चापि सर्वत्र भविष्यत्सर्वसंग्रहः । यत्किंचित्पश्यसे विप्र यच्छृणोषि च किंचन
bhaviṣye cāpi sarvatra bhaviṣyatsarvasaṃgrahaḥ | yatkiṃcitpaśyase vipra yacchṛṇoṣi ca kiṃcana
اور آئندہ بھی—ہر جگہ—آنے والی باتوں کا مکمل مجموعہ ہوگا۔ اے وِپر (برہمن)! تو جو کچھ دیکھتا ہے اور جو کچھ سنتا ہے—ہر شے اسی میں شامل ہے۔
Unspecified in the provided excerpt (context needed from surrounding verses in Adhyaya 39).
Concept: Revelation is portrayed as a complete compendium spanning time; all that is seen and heard is encompassed within the divine order and its scriptural articulation.
Application: Treat learning and perception responsibly: what you consume through sight and hearing shapes you; choose śāstra-centered listening/reading and cultivate discernment.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A sage addresses a brāhmaṇa seeker beside a manuscript stand, while behind them a vast cosmic library appears—scrolls and palm-leaf bundles floating in concentric rings labeled ‘past’, ‘present’, and ‘future’. The seeker’s eyes and ears are subtly highlighted by rays of light, suggesting that all seeing and hearing are gathered into the Purāṇic revelation.","primary_figures":["a teaching sage (generic Purāṇic narrator)","a brāhmaṇa listener","Viṣṇu as a subtle luminous presence above the manuscripts (optional)"],"setting":"Forest āśrama with a manuscript pavilion that opens into a visionary cosmic archive.","lighting_mood":"temple lamp-lit","color_palette":["warm amber","sandalwood beige","ink black","copper gold","forest green"],"tanjore_prompt":"Tanjore painting style: sage and brāhmaṇa seated on ornate mats, palm-leaf manuscripts stacked with gold leaf edges; behind them a stylized cosmic wheel of time with three rings (past/present/future) in embossed gold; rich maroons and greens, gem-like highlights, temple-arch frame and haloed script motifs.","pahari_prompt":"Pahari miniature style: intimate āśrama scene with delicate trees and a small manuscript stand; a visionary backdrop of floating texts and time-rings painted in soft washes; refined faces, cool greens and warm ochres, subtle symbolism of sight and hearing as luminous lines.","kerala_mural_prompt":"Kerala mural style: bold-outlined sage teaching, manuscripts rendered as patterned rectangles; a large circular time-mandala behind with strong reds/yellows/greens; temple-wall composition, decorative borders with lotus and chakra motifs.","pichwai_prompt":"Pichwai cloth painting style: central teaching scene framed by intricate floral borders; concentric rings of manuscript motifs like garlands; deep blue background with gold script-like patterns; symmetrical layout, lotus medallions marking ‘seeing’ and ‘hearing’ as sanctified senses."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["rustle of palm leaves","soft temple bells","forest birds","steady drone"]}
Sandhi Resolution Notes: च+अपि→चापि; भविष्यत्+सर्व+संग्रहः→भविष्यत्सर्वसंग्रहः; यत्+किञ्चित्+पश्यसे→यत्किंचित्पश्यसे; यत्+शृणोषि→यच्छृणोषि.
FAQs
It presents a claim of totality: the text (or a related compendium) is said to contain an all-inclusive account of future events, encompassing whatever may be seen or heard.
Not directly. The verse is programmatic and encyclopedic, emphasizing comprehensive coverage rather than naming places, deities, or practices.
It underscores humility before scriptural knowledge and the idea that lived experience (what one sees and hears) can be interpreted within a broader dharmic framework preserved in sacred literature.