Shloka 87
The Establishment of Vāmana at Kānyakubja and the Sanctification of Setu
सर्वमेतन्मया दत्तं सर्वमक्षयमस्तु ते । ततः प्रकृतयः सर्वा लंकावासिजनाश्च ये
sarvametanmayā dattaṃ sarvamakṣayamastu te | tataḥ prakṛtayaḥ sarvā laṃkāvāsijanāśca ye
یہ سب کچھ میں نے تمہیں عطا کیا؛ یہ سب تمہارے لیے ابدی اور ناقابلِ زوال رہے۔ پھر تمہارے سب تابع دار اور لنکا میں بسنے والے لوگ بھی…
Unspecified in the provided excerpt (context needed from surrounding verses).
Concept: Gifts aligned with dharma are blessed with endurance; rightful stewardship is sustained by divine benediction.
Application: Treat resources—home, authority, wealth—as entrusted gifts; preserve them through ethical governance and gratitude rather than exploitation.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: city
Visual Art Cues: {"scene_description":"A regal figure bestows a formal boon: hands extended in blessing as the city of Laṅkā gleams behind—terraced palaces, jeweled towers, and orderly streets now calm. Around them, ministers and citizens bow, sensing a new era where the city’s fortune is sealed as ‘imperishable’.","primary_figures":["Bestower of the boon (unnamed)","Recipient king (implied Vibhīṣaṇa)","Laṅkā citizens and retinue"],"setting":"Royal court balcony overlooking Laṅkā’s palace complex and cityscape","lighting_mood":"divine radiance","color_palette":["sapphire blue","antique gold","pearl white","ruby red","teal green"],"tanjore_prompt":"Tanjore painting style: boon-bestowing sovereign seated on a throne with gold leaf halo, recipient king standing with folded hands; behind them a stylized Laṅkā cityscape with gem-like towers; heavy gold leaf on crowns, throne, and architectural details; rich reds/greens, ornate jewelry, symmetrical composition.","pahari_prompt":"Pahari miniature style: an elegant court scene on a palace terrace, delicate linework and soft shading; Laṅkā’s skyline in the distance, refined facial features, cool blues and greens, lyrical clouds suggesting auspiciousness.","kerala_mural_prompt":"Kerala mural style: frontal figures with bold outlines, large expressive eyes; the blessing gesture emphasized; palace architecture rendered as patterned bands; red/yellow/green pigments with gold-like highlights, temple-wall grandeur.","pichwai_prompt":"Pichwai cloth painting style: a ceremonial blessing scene framed by dense floral borders and lotus medallions; attendants holding lamps and flywhisks; deep blue ground with gold detailing, ornate textile patterns suggesting ‘akṣaya’ abundance."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["conch shell","temple bells","soft drone (tanpura)","gentle wind","distant ocean hush"]}
Sandhi Resolution Notes: सर्वमेतन्मया = सर्वम् एतत् मया; सर्वमक्षयमस्तु = सर्वम् अक्षयम् अस्तु; लंकावासिजनाश्च = लंकावासिजनाः च.
FAQs
It conveys the granting of a complete boon or gift, explicitly blessed to be ‘akṣaya’—imperishable/inexhaustible—for the recipient.
Akṣaya marks a gift/merit/boon as enduring and non-diminishing, emphasizing lasting divine sanction rather than a temporary benefit.
It situates the narrative in a recognizable sacred-geographic/cultural landscape, indicating that the consequences of the boon extend to those associated with Laṅkā and the recipient’s wider constituency.