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Shloka 92

The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī

Gaṅgā

वेदवेदांगतत्वज्ञो यज्ञयाजी तपोरतः । न च दुःशीलनिरतः स सर्वत्राविहिंसकः

vedavedāṃgatatvajño yajñayājī taporataḥ | na ca duḥśīlanirataḥ sa sarvatrāvihiṃsakaḥ

وہ ویدوں اور ویدانگوں کے تاتپر्य کو جاننے والا ہے؛ یَجْن کرتا ہے اور تپسیا میں رَت رہتا ہے۔ وہ بدکرداری میں مبتلا نہیں، اور ہر جگہ تمام جانداروں کے لیے اہنسا والا ہے۔

veda-veda-aga-tattva-jf1aknower of Vedas and Vedangas in essence
veda-veda-aga-tattva-jf1a:
Karta (कर्ता) (attribute of subject)
TypeAdjective
Rootveda (वेद) + veda (वेद) + aga (अङ्ग) + tattva (तत्त्व) + jf1a (ज्ञ) (प्रातिपदिक)
FormMasculine, Nominative, Singular; Tatpuru63a: "knower of the principles of the Vedas and Ved1gas"
yajf1a-y1j2bsacrificer; performer of yajf1as
yajf1a-y1j2b:
Karta (कर्ता) (attribute of subject)
TypeAdjective
Rootyajf1a (यज्ञ) + y1jin (याजिन्) (प्रातिपदिक)
FormMasculine, Nominative, Singular; Tatpuru63a: "one who performs sacrifices"
tapo-ratadevoted to austerity
tapo-rata:
Karta (कर्ता) (attribute of subject)
TypeAdjective
Roottapas (तपस्) + rata (रत) (प्रातिपदिक)
FormMasculine, Nominative, Singular; Tatpuru63a: "devoted to austerity"
nanot
na:
Sambandha (सम्बन्ध) (negates predicate)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेधक अव्यय)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चयबोधक अव्यय) = "and"
du255b2bla-nirataengaged in bad conduct
du255b2bla-nirata:
Karta (कर्ता) (attribute of subject)
TypeAdjective
Rootdu255b2bla (दुःशील) + nirata (निरत) (प्रातिपदिक)
FormMasculine, Nominative, Singular; Tatpuru63a: "engaged in bad conduct"; here with na = "not engaged in..."
sahe
sa:
Karta (कर्ता) (explicit subject)
TypeNoun
Roottad (तद्) (सर्वनाम-प्रातिपदिक)
FormPronoun (सर्वनाम), Masculine, Nominative, Singular
sarvatraeverywhere
sarvatra:
Adhikara47a (अधिकरण) (locative sense)
TypeIndeclinable
Rootsarvatra (अव्यय)
FormAvyaya, adverb (देशवाचक क्रियाविशेषण) = "everywhere"
a-vihi43sakanon-violent
a-vihi43saka:
Karta (कर्ता) (predicate adjective of sa)
TypeAdjective
Roota- (अ-नञ्) + vihi43saka (विहिंसक) (प्रातिपदिक)
FormMasculine, Nominative, Singular; negative prefix (नञ्) forming "non-violent"

Not explicitly specified in the provided excerpt (context needed from surrounding verses of Adhyaya 30).

Concept: True excellence combines śāstra-jñāna (Veda and Vedāṅga), yajña-karma, tapas, good conduct, and universal ahiṃsā.

Application: Balance learning with practice: study foundational texts, keep a disciplined routine, avoid harmful habits, and cultivate non-violence in speech, consumption, and livelihood.

Primary Rasa: shanta

Secondary Rasa: vira

Visual Art Cues: {"scene_description":"A learned figure sits beside a well-tended yajña-kuṇḍa, palm-leaf manuscripts and Vedāṅga tools arranged neatly, while a gentle deer and birds remain unafraid nearby—signs of universal non-violence. The sacrificial fire rises in calm spirals, mirroring his steady tapas and pure conduct.","primary_figures":["Vedic scholar-yajamāna","ṛtviks (priests)","peaceful animals (deer, birds)"],"setting":"Forest-edge āśrama with a ritual enclosure, kusa grass, ladles, and a small altar; manuscripts on a low wooden stand.","lighting_mood":"golden dawn","color_palette":["saffron","smoke gray","leaf green","copper","ivory"],"tanjore_prompt":"Tanjore painting style: yajamāna with serene face beside a blazing homa fire, gold leaf flames and halo-like aura, rich red-green textiles, ornate ritual vessels, symmetrical composition, gem-like highlights on ladles and kalasha.","pahari_prompt":"Pahari miniature style: quiet āśrama scene with delicate trees, soft dawn sky, fine-lined manuscripts, gentle animals close to the sacrificer, subtle smoke curls, cool natural palette with warm fire accents.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized homa altar, calm wide-eyed scholar figure, rhythmic flame patterns, natural pigments with dominant reds/yellows/greens, temple-wall compositional clarity.","pichwai_prompt":"Pichwai cloth painting style: central homa altar framed by floral borders, stylized birds and deer in symmetrical arrangement, decorative manuscript motifs, deep indigo background with gold and saffron highlights."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["crackling sacred fire","soft mantra chanting","forest birds","gentle wind through leaves","silence between phrases"]}

Sandhi Resolution Notes: vedaved1gatatvajf1a = veda + veda + aga + tattva + jf1a; sarvatr1vihi43saka = sarvatra + a-vihi43saka

FAQs

Mastery of Vedic knowledge (including Vedāṅgas), performance of yajña, dedication to tapas (austerity), good conduct, and universal non-violence (ahiṃsā).

It presents yajña and tapas as incomplete without character: the true practitioner is explicitly described as not engaged in misconduct and as non-harming toward all beings.

A central mark of dharma is ahiṃsā—consistent non-violence in all places and situations—supported by disciplined conduct and sincere spiritual practice.