Shloka 92
Puṣkara Sacrifice: Gāyatrī’s Marriage, Sāvitrī’s Wrath, Rudra’s Test, and the Tīrtha-Māhātmya
मया दत्तं चिरस्थायि अभंगं च भविष्यति । एवमुक्त्वा तदा ब्रह्मा समाप्तिं तामवैक्षत
mayā dattaṃ cirasthāyi abhaṃgaṃ ca bhaviṣyati | evamuktvā tadā brahmā samāptiṃ tāmavaikṣata
جو کچھ میں نے عطا کیا ہے وہ دیر تک قائم رہے گا اور کبھی ٹوٹے گا نہیں۔ یوں کہہ کر برہما نے پھر اس معاملے کے انجام کی طرف نگاہ کی۔
Brahmā
Concept: A divine grant aligned with dharma is meant to endure; sacred institutions and vows gain strength through truthful, sanctioned speech.
Application: Make commitments carefully and keep them; build practices (japa, seva, vrata) that are ‘abhaṅga’—unbroken by mood or circumstance.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"Brahmā, four-faced and calm, raises a hand in blessing as a glowing inscription-like aura forms in the air—symbolizing an unbreakable grant. The scene feels like a formal sealing of destiny: lotus petals drift downward as the narrative ‘conclusion’ settles like a gentle hush over the sacred field.","primary_figures":["Brahmā"],"setting":"A lotus-born dais or a simple yajña-vedi near a sacred field, with subtle cosmic backdrop.","lighting_mood":"golden dawn","color_palette":["sunrise gold","lotus pink","ivory white","vermillion","soft teal"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on a grand lotus throne, right hand in varada mudra, a glowing decree-scroll motif in the air, heavy gold leaf on halo and lotus petals, rich reds and greens, ornate jewelry and crown, symmetrical temple arch framing.","pahari_prompt":"Pahari miniature style: Brahmā on a pale lotus with delicate shading, soft dawn sky, floating petals, refined facial features, gentle pastel palette with gold accents, minimalistic yet lyrical composition emphasizing calm closure.","kerala_mural_prompt":"Kerala mural style: Brahmā with bold outlines and large eyes, lotus pedestal, flat warm pigments, patterned border, a stylized glowing script motif indicating ‘abhaṅga’ permanence, temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: lotus-centric composition with Brahmā on a central lotus, dense floral borders, gold highlights on halo and petals, deep blue background with repeating lotus motifs, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bell","tanpura drone","gentle silence","distant conch"]}
Sandhi Resolution Notes: एवमुक्त्वा = एवम् + उक्त्वा; तामवैक्षत = ताम् + अवैक्षत (sandhi: m + a → ma).
FAQs
It emphasizes the lasting, unbroken nature of what Brahmā has granted—presenting divine bestowal as stable and enduring.
Brahmā is the speaker, as explicitly named in the verse.
Not directly; it functions more as a narrative closure line affirming the permanence of a boon or grant, rather than discussing pilgrimage geography or devotional practice.