Shloka 90
Puṣkara Sacrifice: Gāyatrī’s Marriage, Sāvitrī’s Wrath, Rudra’s Test, and the Tīrtha-Māhātmya
कौशिकीति गणो नाम तृतीयो भवतु द्विजाः । त्रिधाबद्धमिदं स्थानं सर्वं युष्मद्भविष्यति
kauśikīti gaṇo nāma tṛtīyo bhavatu dvijāḥ | tridhābaddhamidaṃ sthānaṃ sarvaṃ yuṣmadbhaviṣyati
اے دو بار جنم لینے والو! تیسرا حصہ ‘کوشِکی’ نامی گن کہلائے۔ یہ مقدس مقام جو تین حصّوں میں بندھا ہے، سراسر تمہارا ہی ہوگا۔
Unspecified (context not provided in the input excerpt)
Concept: Sacred space is not merely land but a dharmic trust—ordered, named, and entrusted to qualified custodians.
Application: Treat responsibilities (home, temple, community roles) as entrusted sacred zones—maintain purity, boundaries, and service-minded governance rather than possessiveness.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A consecrated sacred field is shown as a mandala-like landscape divided into three luminous sections, each marked by subtle boundary stones and lotus motifs. A sage-figure proclaims the name ‘Kauśikī’ as dvija custodians receive the charge, palms joined, while the air shimmers with unseen divine sanction.","primary_figures":["dvija brāhmaṇas (custodians)","a presiding sage or creator-figure (implicit Brahmā-like authority)","guardian presence of Vishnu (subtle, symbolic)"],"setting":"A ritual kṣetra with three-part mandala layout, boundary markers, small yajña-vedi, and distant waterline suggesting a tīrtha.","lighting_mood":"divine radiance","color_palette":["lotus pink","saffron gold","sandalwood beige","emerald green","deep indigo"],"tanjore_prompt":"Tanjore painting style: a tri-part sacred kshetra mandala divided into three glowing sections, dvija priests in white and ochre receiving the charge, subtle Vishnu symbols (shankha-chakra) in the sky, heavy gold leaf embellishment on borders and mandala lines, rich reds and greens, gem-studded ornaments on ritual vessels, traditional South Indian iconography and ornate arch framing.","pahari_prompt":"Pahari miniature style: a lyrical threefold sacred landscape with delicate boundary lines, soft hills and a distant river haze, refined-faced brāhmaṇas seated in a semicircle, a sage pointing to the tri-part kshetra map, cool natural palette with gentle lotus-pink accents, intricate flora, airy Himalayan atmosphere and fine brushwork.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments depicting a three-section kshetra diagram behind the figures, dvija priests with characteristic large eyes, ritual vedi and kalasha, Vishnu’s emblems hovering as auspicious motifs, red/yellow/green dominant palette, temple-wall aesthetic with patterned borders.","pichwai_prompt":"Pichwai cloth painting style: a sacred field rendered as a lotus-mandala divided into three petals/sections, intricate floral borders, peacocks and cows at the margins as auspicious witnesses, deep blues and gold, subtle shankha-chakra motifs, devotional textile detailing with repeating lotus patterns."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","conch shell","soft drone (tanpura)","rustling sacred grove leaves"]}
Sandhi Resolution Notes: कौशिकीति = कौशिकी + इति; त्रिधाबद्धमिदं = त्रिधा + आबद्धम् + इदम्; युष्मद्भविष्यति = युष्मत् + भविष्यति (sandhi: -t + bh-).
FAQs
It designates a “third” group or division named Kauśikī and declares that a threefold-arranged sacred place will belong to the addressed dvijas (twice-born).
It implies the place is organized or demarcated in three parts (a threefold arrangement), suggesting a structured sacred geography.
“Dvijāḥ” commonly refers to the twice-born—traditionally Brahmins (and sometimes the three higher varṇas in broader usage). In this verse, it is a direct address indicating the beneficiaries of the place.